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Moment of Clarity

So I’m working on a story tonight (yes, at the coffee shop; yes, I know I’m not fooling anyone) and getting pretty bummed about how it’s going. The writing feels forced and artificial, stilted sentence construction, not jocular enough. Sure, the scenario is rather downbeat, and it’s supposed to be an introspective piece, but it still just feels all wrong. The main character is talking about going to his new home in a new city and what he sees on the way there.

So all this is sucking and I keep telling myself that it’s just a shitty first draft and once I get a good hunk of it written I can go back and edit it into shape.

Then he finally gets there and meets another one of the characters and suddenly there’s, you know, dialogue and jocularity and stuff.

So yeah, all that earlier stuff? Needs to be edited right out of existence. Anything worthwhile in there can be filled in later, during an episode when something’s actually happening.

Sometimes I just need to be smacked upside the head, I guess.

Just Ignore the Author Behind the Curtain

J.K. Rowling says that Professor Dumbledore in the Harry Potter series is gay.

I hate it when an author makes statements like this about their story after the fact, and I’ve learned through experience to simply ignore them, unless I happen to be specifically interested in the author’s writing process (which, in the case of Harry Potter, I’m not). My feeling is that if a fact didn’t matter enough to actually make it into the book, then it ain’t so. That doesn’t mean that it ain’t not so, either. But once the story is finished and distributed, the author doesn’t get to fiat it into existence.

(In Rowling’s case, I also wonder why she bothers to bring it up now. Cynically, I suspect it’s just to keep her name in the news, now that Harry Potter Mania is fading.)

John Scalzi weighs in on the subject:

Do these facts mean that Dumbledore’s sexuality is unimportant to who the character is? Absolutely not. The moment Rowling said (or discovered, however you want to put it) that Dumbledore was gay, it made a difference in how she perceived him and how she wrote him. The only way Rowling’s statement of Dumbledore’s sexuality would be irrelevant or should be ignored by the reader (should they hear of the fact at all) is if there were proof that Rowling was tacking on the sexuality of Dumbledore after the fact of the writing, i.e., that Rowling had no conception of Dumbledore’s sexuality through all the books, and then is throwing the “dude, he’s gay” statement out there now just for kicks.

I’m in agreement with John on many things, but I think he’s got this one exactly wrong. I think his error is in confusing the story with the author; while the two are clearly linked, they’re not the same thing. Once the author has finished the story, it becomes a thing unto itself, experienced completely independently of further input from the author. In effect, once the story is finished, the author becomes just another reader of the story, her opinion no more important than that of any other reader for the purposes of interpreting and experiencing the story. Anything she left out of the story is not part of the story, even if it factored into how she wrote it. If it was left out, and it can’t be reasonably deduced from the text, then it’s not part of the story, and in this case, not part of the character.

Essentially (and I know I’m not the first one to say this), once the story is finished, it’s no longer the author’s story, it’s the reader’s story. I mean this in the experiential sense, not the legal sense, of course: The reader doesn’t own the story, but they do own their experience of reading the story, and their interpretation of the story, and I think it’s entirely fair to base that entirely on the story, and completely disregard elements which are not in the text.

I think part of the point of fiction is that it’s an experiential and interpretive thing. Having the author come down from on high and state “this is so” when it’s not even in the story undermines that part of the experience, and cuts out the possibility of interpretation.

John also says:

Going back to Rothstein, the best you can say for his argument is that it notes that Dumbledore doesn’t have to be gay for many of the influential events of his life to have had an effect on him. To which the correct response is to say, yes, well. And this would be different from the lives of actual gay people exactly how? We go through any number of events in our lives without our sexuality front and center — it would make sense an author would model a character similarly. But it doesn’t mean that at the end of the day that sexuality doesn’t matter to who the character is.

The crux of the issue is this: If you can’t perceive that the character is gay, then does it matter to you whether the character is gay? John thinks so, I don’t. It’s a matter of perception, because reading fiction is entirely a matter of perception. But once a story is finished, that something else went on behind the scenes, that the writer intended something which didn’t come through in the story, means that those elements actually don’t matter. Because if they did matter, then they’d be present in the story.

Which means that I’ll believe John Perry is allergic to blueberries when it shows up in one of Scalzi’s novels, and not before.

I don’t really care whether or not Dumbledore was gay, but having read the books, I see no strong reason to believe one way or the other. Unlike Ceej, who has some smart things to say about the whole brouhaha, I don’t think the Grindelwald stuff is compelling evidence.

Your mileage may vary, but the important thing is that it’s your mileage, not J.K. Rowling’s.

Resolved

I don’t often make New Year’s resolutions, but it is a convenient time to try to think of things I can do to make my life better. It’s not so much that it’s a new year, but that I’ve just spent over a week on vacation and hopefully I have a little more energy to effect some changes.

My resolution this year can be summed up as “Eat less and write more.”

Or, as I put it to one fellow, my resolutions are means-based rather than ends-based.

Eat less: It’s not like my doctor didn’t tell me four years ago to eat less, and that trying to lose weight is through exercise is difficult because it’s very easy to stop exercising. My only success at losing weight through exercise is when I was working out a lot (4-5 times a week, for many months), and it comes back pretty easily when you stop. So, it’s time to try the other approach.

Write more: While it’s tempting to try to become a professional blogger like J.D., the fact is that I know I’m mainly writing for myself, and that my journal is just not compelling enough to bring in the sort of traffic that J.D. gets. So what I really mean here is to write more fiction. While I know I’m not at this point up to committing to the sort of regular writing that Deathless Pose [sic] demands, it would be nice to get to the point where I would be up to it.

And having finished writing this non-fictional (I hope) post, it’s time for lunch. How’s that for irony?