Tag: The Secret History

This Week’s Haul

Two weeks worth of books this time, since I didn’t get around to doing an entry last week before heading to Disneyland for the weekend.

Last Week:

  • The Marvels Project #4 of 8, by Ed Brubaker & Steve Epting (Marvel)
  • Nova #32, by Dan Abnett, Andy Lanning & Andrea DiVito (Marvel)
  • Echo #17, by Terry Moore (Abstract)
  • The Secret History #7 of 7, by Jean-Pierre Pécau & Igor Kordey (Archaia)
  • Absolution #4 of 6, by Christos Gage & Roberto Viacava (Avatar)
  • The Boys #37, by Garth Ennis & Darick Robertson (Dynamite)

I skipped JSA: All-Stars, not just because I didn’t really care about following “Power Girl and the third-stringers”, but because the artwork looked pretty awful. I’ll stick with the team which at least has a few of the classic members, thanks.

This Week:

  • Booster Gold #27, by Dan Jurgens, Mike Norton & Norm Rapmund (DC)
  • Doom Patrol #5, by Keith Giffen, Justiniano & Livesay, and J.M. DeMatteis, Tim Levins & Dan Davis (DC)
  • R.E.B.E.L.S. #11, by Tony Bedard, Claude St. Aubin & Scott Hanna (DC)
  • Secret Six #16, by Gail Simone, Peter Nguyen, Doug Hazlewood & Mark McKenna (DC)
  • The Unwritten #8, by Mike Carey & Peter Gross (DC/Vertigo)
  • Powers: The Definitive Hardcover Collection vol 3, by Brian Michael Bendis & Michael Avon Oeming (Marvel/Icon)
  • B.P.R.D.: War on Frogs #4, by John Arcudi & Peter Snejbjerg (Dark Horse)
  • Phonogram: The Singles Club #6 of 7, by Keiron Gillen & Jamie McKelvie, and P.J. Holden & Adam Cadwell (Image)
The Secret History book 7 I started picking up The Secret History back before I knew it was a translation of a European comic that Archaia was printing. It got off to a pretty good start, though (albeit way back in 2007). As the title says, the story is a shadow history in which four individuals gain immortality and great powers through runestones they acquire early in humanity’s history, and they use it to influence events over the centuries, eventually warring against each other, forming and breaking alliances, and often using catspaws to do their work.

The early issues held together pretty well, but as the series progressed the overall story became very hard to follow, and even single issues were pretty confusing in terms of figuring out who’s who and what they’re up to and why. Greg Burgas has the series sized up well, as at the end of this 7-issue series the story isn’t over. It ends abruptly, actually on something of a cliffhanger, at the end of World War I. That left me wondering why I’d bothered; there wasn’t a big finish, and I just felt like I didn’t care about any of the characters by the end – I could barely tell who they were!

The art is often quite good, but it’s not enough to make up for the story. I can’t fault author Pécau for the ambitious plot, but the execution just didn’t work for me. Even if there is a follow-up series (and I haven’t heard of one), I’m not interested enough to follow it.

Doom Patrol #5

R.E.B.E.L.S. #11

I decided to pick up this month’s Doom Patrol and R.E.B.E.L.S. to see how the Blackest Night tie-in stories begun last week shake out. The answer is: Not so well, as both are essentially big slugfests against overwhelming odds, with the heroes more-or-less cheating their way to victory. Heck, they even find the exact same resolution to their dilemma in each case! Disappointing. The most interesting element of either series – Vril Dox acquiring a Sinestro Corps ring – is discarded at the end of the R.E.B.E.L.S. issue, too. Oh well.

I’m not interested enough in either Adventure Comics or Justice League to even pick up the second part of those tie-in stories. (If Adventure had had a Legion of Super-Heroes back-up in the second part, I might have given in. But instead it has Superboy-Prime – whom I hate, as I’ve said before – in the lead story, and the Connor Kent Superboy in the backup. Whatever.)

Considering Blackest Night presented some of these series with excellent opportunities to convince new readers like me that they were worth following, it’s pretty lame that they all did such a bad job in doing so, focusing instead on the Blackest Night story arc rather than trying to sell themselves on their merits. I assume this is just a total editorial misfire, although Booster Gold does a better job than the others of presenting its merits within its own Blackest Night tie-in. Then again, I already read Booster Gold regularly.

Powers: The Definitive Hardcover Collection vol 3 The third hardcover collection of Powers is out this week, and in my opinion it contains the two best stories of this excellent series: “The Sellouts” focuses on a Justice League-like team which went commercial, and then (unofficially) broke up. When the Batman-like member is killed (on camera, his killer not appearing on the tape), detectives Walker and Pilgrim investigate, and air all the dirty laundry the team’s kept under wraps for years. Rather to the displeasure of some members of the team. For what starts as a rather routine detective story for this series, it takes a sharp turn at the end which makes it both a very different story, and one which fundamentally changes the nature of the Powers world (setting up the next series, to some extent).

“Forever” is the other arc in the volume, and it was in a way an epilogue to the first Powers series, but it’s also a crucial piece in the overall story: It fills out the background of Detective Christian Walker, who it turns out is more than merely a de-powered superhero who became a cop. But there hadn’t been much sign of this until this story. In other circumstances, that might sound unsatisfying, but Bendis uses the premise to craft an a story which both defines the nature of superheroes in the Powers universe, and to make Walker a more significant and more tragic figure than he’d been before.

While Powers is best read from the beginning, you can read this volume on its own if you’d like to try it by starting with the very best the series has to offer. In any event, with the third Powers series having started a few weeks ago, this is a good point to catch up on what’s happened before so you can fully enjoy the new one.

This Week’s Haul

Comic books I bought the week of 9 May 2007.

  • Countdown #51 of 51 (counting backwards), by Paul Dini, Jesus Saiz & Jimmy Palmiotti (DC)
  • Jack of Fables #10, by Bill Willingham Matthew Sturges, Tony Akins & Andrew Pepoy (DC/Vertigo)
  • Nova #2, by Dan Abnett, Andy Lanning, Sean Chen & Scott Hanna (Marvel)
  • The Secret History Book Two: Castle of the Djinn, by Jean-Pierre Pécau & Igor Kordey (Archaia Studios Press)

Countdown kicks off in the wake of 52, and it involves a cadre of Monitors (from wa-a-ay back in the days of Crisis on Infinite Earths in the mid-80s), one of whom has gone rogue and is out to kill people who have jumped between parallel universes. It doesn’t make a whole lot of sense – yet. But it’s early going.

Ah, now I remember why I like Abnett and Lanning at their best: They don’t always take the obvious route. Rather than a big fight between Nova and Iron Man (as suggested by the cover of this month’s Nova), instead Nova is brought up-to-date on what’s happened during Marvel’s Civil War, has an uncomfortable reunion with his parents, and learns what happened to his former partners in the New Warriors. And since apparently the other heroes in the Marvel Universe have gone insane and actually support this “Initiative” that Iron Man has cooked up to keep the heroes in line, Nova seems quite reasonable in feeling very uncomfortable with it.

Nova already feels very believable as a young man with the weight of the galaxy on his shoulders, and yet still stuck between being a teenager and an adult, in the sense that he has the sense of responsibility, but not yet the experience to manage it. And given his power level, if he snaps, it ought to make for some exciting comics. Now that I think about it, Nova could turn out to be the series that Ms. Marvel should have been.

Book two of The Secret History isn’t as good as book one: Kordey’s art is still excellent, but I found the story confusing. I’m not familiar with many of the historical references, and I felt like I needed to be to follow the story (which I didn’t in the first book). The narrative didn’t flow as smoothly, and I sometimes had trouble figuring out what was going on in a page. Overall it felt like a lot of running around without much of an outcome, so if there isn’t something sneaky here which is going to inform the series’ eventual outcome, then I’d say this volume felt superfluous.

This Week’s Haul

Comic books I bought the week of 28 February 2007.

  • 52 #43 of 52 (DC)
  • Jack of Fables #8 (DC/Vertigo)
  • Justice #10 (DC)
  • Welcome to Tranquility #1-3 (DC/Wildstorm)
  • Eternals #7 of 7 (Marvel)
  • The Secret History #1 of 7 (ASP)

Despite a cover featuring Animal Man, 52 #43 mainly focuses on the Black Adam Family, which is my least-favorite storyline in the series. Bummer.

I’m starting to think that Jack of Fables just isn’t going to get very good. Jack is a one-note character, and not at all a likeable one, and the series has yet to cohere around an interesting plot or supporting cast. I wonder how it’s doing in sales?

Welcome to Tranquility has gotten some good word-of-mouth, so I gave it a try. It’s written by Gail Simone, who’s ended up in my consciousness as one of those “decent wordsmith, nothing in particular to attract me to her books” writers, similar to Geoff Johns and Greg Rucka (and ahead of Brian Michael Bendis and Mark Millar), but not as distinctive as Grant Morrison. That said, I’ve never actually read anything by her, so it’s just purely word-of-mouth.

Tranquility is a town which serves as a retirement home for old superheroes, but which also houses their children and grandchildren. The Sheriff, Thomasina, tries to hold things together, while a documentary filmmaker, Collette, shows up just in time to see things start to fall apart, as an old-time detective-hero, Mr. Articulate, is murdered. The town is also on edge because it houses the children and grandchildren of the old heroes, and the generations don’t see things the same way.

The book feels in some ways like Alan Moore’s take on Supreme with its nostalgia for these alternate heroes, while they’re still very much among us. But there’s more of a feeling of “days gone by and they’re not coming back” than in that book (which is more about successfully restoring the glories of yesteryear), and a lot of that feel that the characters are stuck in Tranquility and they’re not going to get out. The three issues so far are mainly setup, with some investigation into the basic mystery. There are some nifty characters, especially Maximum Man (a Captain Marvel type character who’s forgotten his magic word and spends all his time trying to remember it) and the Emoticon, who wears a mask which displays smileys.

Neil Googe’s art at its best is reminiscent of Chris Sprouse, but his figures occasionally go all cartoony, which wrecks the book’s atmosphere. It’s right on the edge of being a style I can really enjoy, but I wish he’d nudge it into a more realistic direction.

Overall, it’s not a bad start.

Eternals wraps up Neil Gaiman’s second series for Marvel. 1602 was a lot better. I’m not a big fan of John Romita’s artwork (and his depictions of San Francisco are atrocious), and the painted covers are also pretty bad. It ends up being one of those “character discovers he’s really a superhero and loses all of his personality” stories, so I’m not sure what the point was.

Archaia Studios Press continues to crank out good books, this time The Secret History, written by Jean-Pierre Pécau and drawn by Igor Kordley. It’s the story of four immortal siblings who each possess a runestone which gives them great powers and who basically don’t like each other. It’s not a real novel premise, but if it successfully reveals the characters over its seven issues, it ought to be pretty entertaining. The first issue focuses on the events surrounding Moses and the Jews’ departure from Egypt, and is lively with some thoughtful moments, mainly surrounding Erlin, who possesses the rune of the Shield, and who seems like a responsible and philosophical person who regards the mortal Moses as a trusted friend. I’ve seen Kordley’s art a couple of times before, but he really does a great job depicting large battles and realistic landscapes. It’s too soon to call this an unqualified winner, but I enjoyed it and I’m looking forward to more.

As a final note, I decided this week to stop buying the Jack Staff monthly comic, and switch to reading it in the collections. Paul Grist’s storytelling style isn’t well-suited to a periodical, and I’m finding that the overall stories take a long time to get anywhere (and sometimes I’m not sure where they’ve actually ended up). Basically, Grist’s writing just isn’t tight enough for my tastes