This Week’s Haul

Comic books I bought the week of 13 December 2006.

It’s taken a long, long time – nearly 20 years – but the Marvel Masterworks hardcover reprints of The Avengers have finally gotten to the good stuff: The volume reprints #51-58 and Annual #2 (as well as X-Men #45, which was part of a crossover story), from way back in 1968 (the year before I was born!). Written by Roy Thomas and pencilled by John Buscema, this set is perhaps best-known for the two issues that introduced The Vision, but to me this volume is important as it contains maybe my favoritest Avengers story every: In #56 the team went back in time to witness the death of Captain America’s partner Bucky, and when they returned to the present – in Annual #2 – they found that time had been changed, and that the original Avengers team had conquered the world and eliminated all the other superpowers people. The likes of Captain America, the Black Panther and Hawkeye had to take on Thor, Iron Man and the Hulk to save the world. Even today, this is great stuff in the superhero genre. (The annual is actually drawn by Don Heck, who – although not a favorite of mine – does some of his best work in it.)

Somehow I missed the second issue of Athena Voltaire, a 1930s-era Indiana Jones-type adventure yarn with a female protagonist. I’ll need to ask my comics shop to order it for me.

The Goon, by Eric Powell, is a weird concoction, part hard-boiled pulp fiction, and part gruesome horror yarn, but mostly it’s all played for humor. The Goon is the head of a local crime mob, and his main opposition is a mob of zombies led by a mysterious evil priest. The Goon is not exactly a good guy (and his sidekick Frankie is always looking out for number one), but sometimes he does the right thing, and sometimes even for the right reason. There’s a lot of blood, gore, and off-color humor, but y’know, I enjoy all that stuff if it’s pulled off well. This isn’t classic comics material, but it’s a fun read, and Powell is a crack artist, reminding me in a roundabout way of both Will Eisner and Mark Schultz. It may not be to your taste, but if you enjoy humor that’s on the sick side, then you’ll like this one.

This Week’s Haul

Comic books I purchased this week.

  • 52 #25 (DC)
  • Hawkgirl #57 (DC)
  • Jack of Fables #4 (DC/Vertigo)
  • Justice #8 (DC)
  • Planetary #26 (DC/Wildstorm)
  • Seven Soldiers of Victory #1 (DC)
  • New Avengers #24 (Marvel)
  • Castle Waiting #2 (Fantagraphics)

52 has a clever cover with three young trick-or-treaters dressed like three of the main characters of the series. It otherwise has a bunch of pointless action sequences, except for one scene where Ralph Dibny (the former Elongated Man) is given a short tour of a place in hell where abusers of magic have been consigned. It’s pretty convincingly chilling.

I started buying Hawkgirl when it changed from Hawkman since I thought there were some interesting things they could do with the character. But writer Walter Simonson hasn’t done any of them, and artist Howard Chaykin mostly just draws the character in cheesecake poses. It looks like Chaykin has left with this issue, and it’s probably time for me to do the same. This whole series has been pretty disappointing, despite some great art in the first two years by Rags Morales.

Jack of Fables is a spinoff from Fables featuring the Jack character from various stories. He’s cocky, egotistical, and trapped in a forced-retirement home for fables. His escape plan gets put into motion here, and it’s a hoot so far.

Justice is Alex Ross’ latest work for DC. Co-written by Jim Krueger with art by Doug Braithwaite and Ross, it’s been tremendously disappointing, feeling at best like a warmed-over version of Grant Morrison’s JLA. It involves a group of villains learning the secret identities of the Justice League and waging all-out war on them. Sounds pretty ho-hum, huh? The secret reason why the villains are doing this is revealed in this issue, but it’s still not very exciting. Only four issues left.

One of my favorite series of the last 10 years is Warren Ellis‘ and John Cassaday‘s Planetary. It started out as a clever sort of homage to various pop culture characters of the last century, but developed into a very clever melange of story elements. Our heroes are “mystery archaeologists”, mapping the secret history of the 20th century. Elijah Snow is a man without a past, who learns who he really is, and who the powers behind the throne since the 1950s are. The whole story comes – rather unexpectedly – to a head, here, and I suspect it concludes next issue. Erratic publishing schedules have dampened my enthusiasm somewhat, but I’m still gonna miss it.

Seven Soldiers of Victory is the long-delayed conclusion to Grant Morrison‘s epic about seven heroes who will save the world without ever meeting. Like most of Morrison’s stories, it’s long on ideas and short on character. The conclusion is also very short on sense; I think Morrison tries to be too subtle for his own good sometimes, and this is one of those times. On the bright side, the art by JH Williams III is absolutely beautiful.

New Avengers continues spotlighting individual Avengers in the midst of the Civil War event, this time covering The Sentry, who is basically Superman-in-the-Marvel-Universe. I think Carla’s assessment is about right – don’t bother. Of course, I feel that way about the Civil War generally.

Castle Waiting continues Linda Medley‘s fun series about life after the fairy tale ends. I’ve forgotten what was happening at the end of last issue, but this is an amusing look at the early life of one of the main characters. Lady Jain (whose source story I can’t place) is gradually having her past revealed, and we know it comes to no good in the end, but the telling is arresting.