Zima Blue and Other Stories
- by Alastair Reynolds
- HC, Â© 2006, 280 pp, Night Shade Books, ISBN 1-597-80058-9
Reviewing short story collections is hard, even when it’s a collection by one of my favorite SF authors. Reynolds in fact has two collections out this fall, of which this is the first.
Reynolds’ forte is telling atmospheric stories – often with strong philosophical underpinnings – which nonetheless qualify as hard science fiction. His stories therefore are usually pretty heavy stuff, but no less enjoyable for that. He works the edge of the “posthuman” milieu which has become popular these days, although he often write straight-up space opera.
My favorite story? Maybe “Beyond the Aquila Rift”, which takes place in a universe with wormhole travel among stars which humanity has taken advantage of. The wormholes seem to end at the edge of the Aquila Rift, but of course the universe doesn’t end there, so eventually someone ends up going beyond it, by accident. This story I think perfectly encapsulates the sense of otherness which is often present in Reynolds’ stories, and the sense of loss that seems to come with being immersed in the other.
Reynolds tends to write a lot of far-future space opera, and two stories in here occur in the same such universe: In “Hideaway”, a small remnant of humanity is on the run from the cyborg creatures which have taken over the species. Their backs to the wall, they end up in an unusual star system which tantalizingly contains the seeds of escape. It’s followed up with “Merlin’s Gun”, concerning the hunt for a weapon which might be used to defeat the enemy. Both tales leave some story elements hanging – deliberately – but it’s the setting and characters and their approach to their dilemmas which is what drives the stories: How far will you go in the pursuit of your goals, and what are you willing to pay to achieve them?
Reynolds provides illuminating afterwords to each story, and he observes that the future of reporter Carrie Clay is perhaps a rather nice one to live in. In “The Real Story”, she interviews the men (?) who first stepped on Mars, decades after they accomplished the feat. It’s a neat little tale of ambiguity and – again – sacrifice and loss. In “Zima Blue” she interviews the foremost artist of her age, and learns something about art, humanity and memory. Reynolds turns the neat trick of taking what seems (to me) like a trite central idea and dressing it up into a rather elegant story.
The story that perhaps best shows Reynolds’ penchant for grandiloquent explorations of the nature of the universe is – naturally enough – “Understanding Space and Time”. It begins as a “last man standing” tale of loneliness verging on madness, and ends on a too-large-for-mere-words scale of understanding reality. Both parts of the story are interesting, although not fully successful, to my mind. It’s quite a page-turner, however.
Of course, not all the stories grabbed me – not unusual for a science fiction collection. I think sometimes the atmosphere overwhelms the story, or maybe is the whole point of the story, and the piece doesn’t come together for me. I think this was the case in both “Enola” and “Angels of Ashes”, for instance. On the other hand, “Signal to Noise” is a straightforward character yarn about (just barely) parallel worlds, but I found it rather routine. None of these were bad, but they were a few notches below the stories above.
The limited edition contains one more story written specially for this collection, which is pretty annoying since I don’t have the limited edition. Hopefully “Digital to Analogue” will be collected in another volume sometime.
Zima Blue is a better-than-average short story collection, and if you enjoy Reynolds or like dark space opera, then it should be right up your alley.