With this week’s publication of Earth 2 #16, I’m dropping the last three comic books I’ve been buying set in the DC Universe . This despite the fact that it ends on a cliffhanger, but with writer James Robinson leaving, it feels like a good point to jump off.
Where DC and I have parted ways is that they clearly are interested in pushing their characters, whereas for me it hasn’t been about the characters for years, it’s been about the creators. I follow the creators I’m interested in, and I want to find people with interesting voices and novel stories to tell, and stories that are going to develop their characters and go somewhere.
But it seems like DC treats their creators as fungible, and the stories in the New 52 mostly have a mediocre sameness to them. None of them have truly excited me – the closest is Gail Simone’s Batgirl, clearly the standout voice of the New 52, but the weight of crossovers and events has dampened my enthusiasm for any Batman title. So I’ve gradually dropped them, until September’s “Villains Month” event presented a good opportunity to make a clean break. (I like to say that “a good jumping-on point for new readers is a good jumping-off point for old readers.”)
(Another is “creators, not characters”, though “creators, not properties” would be more accurate.)
I don’t really know what’s going on in DC editorial, but stories like the creators of Batwoman leaving the book after not being able to have their heroine marry her girlfriend reinforces my perception of it being all about the marketable properties for them. Setting them up for movies and TV shows, I guess (that being where the big money is). And, well, I don’t care about that. The recent Batman films were good because of Christopher Nolan, not because they starred Batman.
So this is goodbye. Not necessarily forever – I’m still buying several Vertigo books and creator-owned titles that DC publishes such as Astro City. But the New 52 is clearly the culmination of plans that DC editorial has been brewing for years, and it’s just not resulting in the kinds of comics that I want to read.