Beasts of Burden: Hunters & Gatherers, by Evan Dorkin & Jill Thompson, Dark Horse Comics, March 2014
Reviewers often talk about “the best comic you’re not reading”, but I would bet that the very best comic you’re not reading is Evan Dorkin and Jill Thompson’s Beasts of Burden.
The reason you’re not reading it is that it’s published sporadically. The original mini-series has been collected in a handsome hardcover, but otherwise the team has appeared in three issues of Dark Horse Presents, and now this one-shot. Despite the relatively high-profile creators – Dorkin having come to prominence with Milk and Cheese, Thompson probably best known for her Scary Godmother books – this series has been flying under the radar.
The other reason you might not have been reading it is that it’s about a squad of animals who fight supernatural menaces, and you might not be interested in reading a comic about animals. But that’s underselling the premise, because what it’s really about is the culture of dogs and cats that Dorkin and Thompson have crafted, with a mix of characters from wise, almost shamanistic older dogs, to upstart, tough-talking younger pups, and the cat, Orphan, who hangs out with them. These animals live in suburban Burden Hill, and while we see several of them going him to their owners, and other pets who are domesticated and don’t get out much, the humans are part of the setting, not part of the story.
The story in this one-shot involves the pack of dogs luring out an invisible monster, which is par for the series, although there’s been some character development along the way, too. The story does a great job of portraying the characters, some of who are deeply scared by their mission, while others are, well, not quite fearless, but certainly bolder. The best parts of the book is the end, though, where the pack makes the rounds of their neighborhood after finishing their adventure, which really shows the attitudes of some of the different animals in contrast to each other. The last page is a little ominous, and may or may not be setting up a longer-term story.
Thompson’s art is brilliant, drawing realistic-looking animals who have expressions understandable by her human readers, without making them look cartoonish. The colors look like watercolors (see the cover to the left for a good example) and give the art additional depth and texture without overwhelming the layouts.
This one-shot may not be the best jumping-on point for the series, but it’s worth a look if you can’t find the earlier collection. It might not quite be all-ages fare, but it’s pretty close. Certainly it’d be great if sales could get a boost so Dorkin & Thompson could afford to produce more issues more regularly.