Reviews – Fascination Place

The Marvels

I don’t think I can provide a more succinct review of The Marvels than what I posted on Mastodon after we came out of the theater yesterday:

#TheMarvels was 1000% better than I’d expected.

If you enjoy Marvel movies, you should go see it. And if, like me, you were a big fan of #CaptainMarvel and are, like I was, worried that it’s not the sequel you wanted, I think you’ll be pleasantly surprised.

This was a really fun film. When I first heard it announced I was disappointed because I had wanted a sequel to Captain Marvel (one of my top three films in the Marvel Cinematic Universe) which explained what she’d been up to for the 23 years between that film and her return in Avengers: Endgame. But with two other characters sharing top billing, and therefore clearly taking place in the “present” of the MCU (which I suspect is about 2025 right now, though I forget what made me think that, other than that Endgame concluded in 2023 and it’s clearly been at least a couple of years since then), it seems doubtful that we’d get that.

In fact the film gave me everything I’d hoped for, and while it was a lighter film than Captain Marvel, it had plenty of serious moments, and while I could (and will) quibble with some parts of the story, overall it worked for me. I would say it’s on about the same level as the first Avengers film.

The film has been performing poorly at the box office, which I suspect is due to a confluence of factors: The post-Endgame MCU seems to be considered pretty disappointing, Ant-Man and the Wasp: Quantumania in particular was panned and did poorly, and The Marvels looks like another team-up crossover film – which it is, but also isn’t, and it in particular doesn’t play into the ongoing “Multiverse Saga” story arc the series is working through, but is just a straight-up continuation of the stories of its main characters. Which for most of these films is what I want. Indeed, when they do a big crossover story in what should be a story focusing on its main characters, that’s when you get garbage like Captain America: Civil War.

All of which is a long-winded way to say: Unless you just don’t like these characters, don’t let any of that dissuade you from seeing The Marvels. It’s a fun film with good action scenes, some broad humor, and plenty of character development.

(And if you hate it because you find the dialogue to be stilted or contrived, well, then I assume you hated the first Avengers film for the same reason, because it was way worse on that count.)

Spoilery thoughts after the cut:

Star Trek: Strange New Worlds: Seasons 1 & 2

Star Trek: Strange New Worlds is a spin-off from Star Trek: Discovery, in the second season of which Captain Christopher Pike (Anson Mount) takes command of the Discovery after the Enterprise has been damaged, and it wraps up with the two ships and their crews teaming up to save the day. This series takes place about 7 years before the original Star Trek series and chronicles the adventures adventures of the Enterprise under Pike, who is living with the knowledge that he is destined to be crippled saving several crewmen a few years in the future.

The Enterprise bridge in Strange New Worlds

The elevator pitch for this series is basically, “If you want more of the original series, with better effects and updated for modern social sensibilities, then this is the show for you.” It’s not nearly as good at this – or as good overall – as the Star Trek: Year Five comic book, but it’s enjoyable.

Early on in watching this show I decided to embrace something someone suggested on Twitter: That each Star Trek series takes place in its own continuity, even though it pretends to maintain continuity with the other series. SNW has this quality in spades, with lots of nods to the original series, which don’t stand up to even casual examination. After enough continuity-jarring moments involving Spock or some other character or alien race who appeared in the original series exhibiting very different behavior or characteristics in SNW, it just becomes easier to treat the two shows as being in different continuities.

But once you get there the show is an enjoyable episodic sci-fi romp with a few excellent episodes and a few poor ones. The acting is stronger than usual for a Star Trek show. It still contains all the pseudoscientific nonsense one expects from Star Trek, there’s not much of an ongoing storyline, so it’s hard to get too invested or too disappointed.

Spoilery thoughts after the cut:

Steven Brust: Vlad the Assassin

Last spring I read and reviewed Steven Brust‘s first novel Jhereg, which is also the first in his Dragaerian series of novels, most of which are about the human assassin Vlad Taltos living in the house-based Dragaerian empire. Despite its short length (though not really all that short for when it was published, in the early 1980s), I was really impressed with its scope and world building, while still having a lively and textured story.

I’ve read several more in the series since then (yes yes, I am a slow reader, but these are not the only books I’ve been reading), and reached what I think is a good point to review a batch of them. Spoiler: I don’t think any of them attain the height of Jhereg, though most of them are entertaining in their own way. Consequently I don’t have as much to say about each of them as I did about Jhereg, so I’m covering them all in this entry.

I’ll try to keep this spoiler-light.

These early novels in the series are published out of chronological order. In Jhereg, Vlad is an established mid-level mafia boss for the Jhereg, he’s married to a woman named Cacti, and he has powerful Draegarian sorcerer friends. Yendi takes place a number of years earlier, when he’s a low-level boss, and gets into. turf war with a rival boss. The early chapters spend a lot of time on Vlad’s territory (including a map!) and organization, and it is, frankly, kind of dull.

It gets more lively when his rival starts trying to assassinate him, which leads to him meeting and falling in love with Cawti, while he’s convalescing from one attempt. The two fall head over heels in love (and into bed) with each other, and while I understand that this happens sometimes, it felt very abrupt and unlikely. I would have chalked it up to an awkward moment in the story which didn’t quite work, except that it unfortunately sets the tone for Cawti’s presence in the series: She’s not really there as a character, we never get a feel for Vlad’s relationship with or love for her – it’s mostly told and not shown. She feels less fleshed out than Sethra Lavode, who only appears in a few scenes across all these books.

The story otherwise is structured as a mystery/puzzle similar to Jhereg, but while the final conflict is lively enough, the reveal of who’s behind it feels not at all well set up. This is in keeping with the spirit of the Yendi house in Dragaera, but it doesn’t work well in a story of this sort.

While most of the Vlad novels are named after Dragaerian great houses, Yendi seems an odd choice of title for this one. Sure, the villain is a Yendi, but it’s such a small part of the book, and doesn’t even seem to capture the spirit of the story overall that it feels forced. This isn’t the first time I’ll feel this way about the title.

Cover of Brokedown Palace by Steven Brust

This is not a Vlad novel, but takes place an indeterminate – but large – number of years earlier, in the Eastern lands of Fenario that Vlad’s human family hails from. Fenario is ruled by the eldest of four brothers, Kind Laszlo, with the middle two as his right-hand men. His youngest brother, Prince Miklos, has a strained relationship with him. The family’s difficulties are also embodied in the the decaying palace in which they live, problems which Miklos perceives but Laszlo feels defensive about, further straining their relationship. Following an especially violent falling out, Miklos spends a couple of years in the west, in the lands of Faerie – which we know are Dragaera – and returns to try to save his family and homeland.

The story has the feel of a lengthy fable, with characters which feel like archetypes rather than rounded people, and events which often seem arbitrary and portentous, leading to a climax which seems like it should be meaningful but felt empty to me. I’ve read that the book is pretty polarizing, so put me on the side of those who didn’t enjoy it so much. Many of the details of the setting show up in the later Vlad novels, so in that sense I’m glad to have read it, but I’d say it rates at the bottom of the books in the series I’ve read so far.

Teckla takes place not long after Jhereg. Cawti gets involved with some revolutionaries in South Adrilankha – the section of the city where most of the Easterners (i.e., humans) live, including Vlad’s grandfather. Humans and the Teckla house are oppressed in Dragaerian society, and the revolutionaries want to end the oppression. Trying to keep Cawti from getting killed, Vlad gets tangled up with the Jhereg boss who’s attacking them, as well as the revolutionaries themselves, including their leader, Kelly, even as his marriage is disintegrating.

There are a lot of moving pieces to this one, but the overall impact is badly undercut by Cawti still being just a shadow of a character, and us having very little insight or investment in her and Vlad’s relationship. Their struggles feel very true-to-life – Vlad doesn’t understand Cawti’s behavior, he’s driven to try to protect her whether she wants it or not, and he makes some bad decisions as a result – but it’s just not a very good story. The thread of the oppression of the lower classes would be plenty on its own, maybe even better if Cawti wasn’t involved, or if they didn’t have such a big wall between them. But, it is what it is. The ending feels too pat, but I think this volume is largely about putting storylines in motion.

Taltos again rolls back the clock and takes place even before Yendi, when Vlad is a fairly new member of the jhereg. It’s the most enjoyable entry since Jhereg, even if it is mostly filling in missing pieces to his background. The main story explains the origins of his friendship (or is ‘alliance’ a better term?) with Morrolan, Aliera and Seth Lavode. Interspersed are passages which detail his life from childhood to joining the Jhereg, about his father and grandfather and developing his hatred of Dragaerians.

Unlike earlier novels which have a “vexing puzzle to solve” structure, this one has a combination of coming-of-age and mythic-quest structure, which gives it a rather different feel. The coming-of-age part feels more organic and satisfying, while the later mythic-quest part feels a bit preprogrammed (as these stories often do – it’s why I don’t care for The Dark is Rising, which takes that fault to the extreme), though it does humanize Morrolan considerably over his previous appearances. In the aggregate it does a lot to tie together the different pieces of Vlad’s life and personality – all the pieces except his marriage, really. If anything his life as an assassin feels like it never got explored as deeply as it could have, which is a shame since that part of his life takes a sharp turn in the next book.

This volume brings us back to the events following Teckla, but quickly head off in a surprising direction when the Demon Goddess of Vlad’s Fenarian heritage personally hires Vlad to kill the king of an island some distance from the empire. Vlad does this, but has to be rescued by Morrolan, Aliera and Cawti when he’s unable to get away – a good trick since most sorcery is blocked on the island, including most teleportation. The assassination leads to war between the Empire and the island, which in turn escalates the conflict between the Empire and Kelly’s revolutionaries, which in turn put’s Cawti at risk and forces Vlad to try to protect her.

The story jumps all over the place, and ends with one of Vlad’s more daring gambits to “solve” the problem. It also raises serious questions about the roles of deities in Dragaera (the risk when bringing gods into a story as characters is that you inevitably see them as having their own motivations and foibles, and we certainly get that here; they’re really just much more powerful characters. But perhaps that’s what Brust is going for, showing that the fable-like feel of Brokedown Palace isn’t really how things are). But it is definitely lively.

Phoenix seems to mark the end of the first phase of the series, as Vlad leaves the Jhereg and puts his old life behind him – or at least announces his intent to do so; I guess the book is called Phoenix is because he’s experiencing a rebirth. It feels like the end of the first act in a larger story, setting up whatever follows. (The house of the Phoenix plays no real role in the story.) I’m not really going to miss the Jhereg (other than Vlad’s lieutenant, Kragar, who is the most entertaining character in this slice of Vlad’s life), and Vlad’s role as a mafia boss has been feeling increasingly fraught for the nominal hero of the series (to be fair he was getting uncomfortable with his job a bit at a time over a few novels). Of course I won’t miss Cawti either (though I expect she’ll show up again). I bet we’re heading into more serious Dragaeran territory next, which means more of Morrolan, Aliera, and Seth Lavode. Which is fine with me as they’ve been the most interesting members of the supporting cast.

I think these novels feel more like an author’s early novels than Jhereg did, fumbling around a bit trying to figure out what their ultimate direction is, or maybe just the right way to head there. Despite their flaws, I’m looking forward to what comes next.

Backyard Multiverse

Writing this at the end of a long weekend, one which was both productive and quite lazy.

We had a warm Saturday which prompted Debbi to take the covers off our patio furniture at last. It’s pretty durable stuff, but we were happy with the waterproof protection of the covers during the winter rainy season (such as it was – California is in another bad drought), and we didn’t get any critters nesting in the furniture when we removed it.

Consequently it was so warm that we spent most of Saturday afternoon sitting on the sofa outdoors under the umbrella and reading (in between wasting time on our iPads, of course). We left the doors to the family room open (with the retractable screen in place), so the cats got to have the full outdoor-smells experience. I don’t think the kittens are quite used to us being around but not indoors, but neither of them tries to go out (Simon definitely does not want to go out), so it’s fine.

In the evening we played Jackbox Games with friends and family – which we’ve been doing regularly throughout the pandemic – followed by me going out for a walk.

Sunday we also spent a bunch of time outside, but I also did some yard work since it cooled off to reasonable levels. I finally replaced the transformer for our low-power accent lights outside, which went really well, and I honestly probably spent more time practicing stripping the wires than anything else. I also re-staked a couple of the lights and replaced some bulbs, and it made me feel like a real homeowner.

Then I assembled my new extension pruner (the old one having seized up last summer) and filled up our yard waste bin with trimmings from the plum tree. Our yard is maybe 20% larger than I have the energy to take care of, and so it’s been slowly getting away from me over the 11 years we’ve lived here. I expect we’ll re-landscape sometime in the next couple of years.

I took today off and Debbi took the afternoon off. After lunch at nearby sandwich joint Specialty’s, we went to see our first movie in the cinemas in over 2 years – for which we were joined by exactly three other people, who all sat behind us. We saw Doctor Strange in the Multiverse of Madness. I’m not going to write a full review, but I enjoyed it overall. People who enjoyed Wanda’s (Elizabeth Olsen) character development in WandaVision will probably enjoy it here as well – I personally did not, though since it wasn’t her film, I can live with it. I enjoyed seeing Benedict Cumberbatch’s Strange as a more experienced sorcerer, yet I thought he had some good character development. They didn’t quite stick the landing on that character development, instead taking things in a suddenly-different direction, so that was disappointing. Xochitl Gomez as America Chavez and Rachel McAdams as Christine Palmer were both great. There was a bunch of fan service nonsense in the middle which was fine as far as moving the story along and setting up a big set-piece, but honestly since I thought the Illuminati in the comics were stupid, I’m glad they didn’t make more of it than they did. The film’s sense of humor works sometimes but feels awkwardly bolted-on at other times. I sort of agree with Kurt Busiek’s take in this Twitter thread, though I think I liked it more than he did. But the script probably needed a couple more rewrites to completely work.

Anyway, it’s a dark and sometimes very grim film, and I think they really missed an opportunity for closure and optimism at the end by not having Strange more directly talk to the one person he really owed some emotional honesty to. A solid mid-range MCU film, sort of the dark version of Guardians of the Galaxy. If they’d clung more firmly to the theme of “learning to love yourself” (the flip side of Guardians’ found-family theme) and followed it through then I think it’d have worked better.

Hey, I guess I did write a review.

Anyway, I’m sitting on the back porch again writing this while Debbi plays (different) games with friends, and I think we’re going to QBB for drinks and barbecue afterwards. So it’s been a good weekend.

Star Trek: Picard Season 2

The first season of Star Trek: Picard was maybe the best season of Star Trek ever. I adored it so much that I wrote six reviews covering its ten episodes! (If you’re interested, you can start here.) It wobbled a little bit on the landing, but overall it was character-rich, exciting, and thoughtful – all the things that The Next Generation muffed on a regular basis.

I was certainly disappointed to hear that Michael Chabon stepped away from being the showrunner of season 2, but was happy to give it a chance. Unfortunately my disappointment was warranted, as season 2 was a big step down from season 1.

Season 2 featured a lot of Trek fan service, which sometimes worked and sometimes didn’t. It set the early tone for the series as the first episode was packed with views into Picard’s life, his current role in Starfleet, what the other main characters were doing in and around Starfleet, the return of an old friend, and the return of the Borg. But things get turned on their ear when Q shows up and most of the principals from season 1 find themselves in an alternate timeline, and have to return to the 21st century to set things right.

The problem is that the writing was all over the place. As in season 1, each character has their own story arc, but they’re embedded in a tired framework (going back to “the present day” to fix history) with extremely awkward pacing (a lot of running around to set up later payoffs, but the running around gets tedious quickly). Finally, it absolutely does not stick the landing, although the final episode has a few nice bits.

Spoiler-rich commentary after the break:

Steven Brust: Jhereg

Earlier this year I read Jo Walton’s collection of essays What Makes This Book So Great, which is a collection of essays from over a decade ago mostly about books she re-read and discussed on the Tor blog. In it she covers all of the books published up to that time in two series. One of them I’ve read before, Lois McMaster Bujold‘s Miles Vorkosigan stories. The other was Steven Brust’s Draegarian novels, which I haven’t. I enjoyed her writing about them that I decided to start reading them myself. (I bought a used mass market paperback on eBay because I dislike the trade paperback format, but that’s another story.)

I’ve never been a big fantasy fan. I could have jumped onto this series fairly early, as I blasted my way through most of Michael Moorcock’s fantasy in 1986, but these were pre-Internet days, and it was unlikely I was going to get into a series through other than word-of-mouth. Brust was a fixture in midwest conventions when I lived there and attended them, and I remember seeing Five Hundred Years After on dealer’s room tables at the time, but I didn’t start reading them then. These days I still gravitate mostly to science fiction, but I read the occasional fantasy novel, and after reading Jhereg, the first book in the series, I’m looking forward to continuing, as one of its prominent features is something I really enjoy, and which I want to discuss here: The world building.

I hope to keep this spoiler free, as there are some nice twists in the story for those who haven’t read it.

At 239 pages, Jhereg is comically short by the standards of today’s fantasy series. Even in the early 80s it was on the short side, but not ridiculously so. However, it packs a huge amount of world building into that span, while still having space for an engaging story with a couple of nice twists. It’s quite an accomplishment for a first novel, especially the first of a series which has been running for nearly 40 years. I understand the series moves backwards and forwards in time from here, and I’ll be interesting to see how much consistency the series exhibits.

The lead character is Vlad Taltos, a human on the world of Draegara, who hails from the East, but lives in an empire of Draegarans, who are humanoids who live for centuries or even millennia. There are seventeen houses in the empire, each associated with an animal on the world, and the book makes clear that membership in a house strongly governs the lives and behavior and alliances of its individual members. Vlad is a member of House Jhereg, who are assassins, and by some considered the lowest of the houses. Vlad is in business as an assassin, and apparently a good one.

Draegara has magic, of at least two forms: Sorcery, which appears to be an exertion of will, and witchcraft, which are more ritualistic and time consuming. Vlad has some familiarity with both, the the book opens with him performing a ritual to obtain a Jhereg dragon egg, which grows to become his familiar, Loiosh. The world also features telepathy and teleportation, as well as resurrection from death, and methods to thwart such resurrection. The clever, powerful, and resourceful all take measures to deal with these various powers, and while one could not argue that Brust builds an airtight balance of forces, he does a good enough job in the scope and length of this novel that it’s not needed.

(Thanks to Clarke’s Third Law, one could imagine that this series is science fiction with a fantasy skin, but I prefer to take stories like this at face value unless given reason not to.)

Vlad is essentially a jack-of-all-trades, master of none. He’s constantly surrounded by people who are better than him at any one sill, but his edge is in fitting all of the pieces together. He also has an extensive backstory, having inherited his membership in the Jhereg from his father. He is married to another Jhereg, and is head of security for Morrolan, a powerful member of House Dragon. He’s friends with several other powerful people associated with Morrolan, and he runs his own business with his own staff and contacts. It’s unclear how old he is, but probably late 20s or 30s in this story.

Draegara itself has an extensive backstory, with periods of war, an interregnum, and characters who have lived through it all. And I’m sure there’s plenty we don’t see, since there are whole novels later in the series which take place centuries in the past.

Weaving all of these pieces together without seeming like two hundred pages of exposition is no mean feat. To be sure, Vlad spends a lot of time talking, gathering information, and even learning a few things he didn’t already know. But it all works. I think because Brust is careful not to go in too many directions at once. For example, only three houses – Jhereg, Dragon, and Dzur – figure significantly in the story, and mainly because of the characters’ connections to them.

Oh yes, the story: Vlad is hired by a high member of the Jhereg named The Demon to find a man named Mellar who has stolen a large amount of money from the House. This is embarrassing for the House, but moreover it could signal the others could and should try the same thing if it gets out. So The Demon wants to kill Mellar quickly and permanently, and recover the money, so that even if it does get out, the risks will be clear. Unfortunately, once Vlad finds Mellar, actually killing him proves to have huge and unexpected challenges.

So the story is partly a mystery about Mellar, and partly a puzzle as to how to kill him – or, more precisely, how Vlad can fulfill his contract, do right by his house, and overcome the challenge that killing Mellar presents. (I was pretty happy to figure out the mystery about ten pages before Vlad did. I sort of figured out the puzzle, but my solution probably wouldn’t have worked – or at least, it just would have shifted the steep cost to other parties.) The story is also pretty clearly a set-up of Vlad’s relationships and loyalties, as well as laying the ground rules for how some of the characters and structures in Draegara work. I expect these will be developed and play out in later novels.

All in all, Jhereg is a remarkable piece of work. It even doesn’t feel very dated – for example, several of the major characters are women, including one of the most powerful ones, even though it’s a book with a male protagonist written by a male author. In some ways it’s what I’d wanted George R. R. Martin’s A Song if Ice and Fire (a.k.a. Game of Thrones) to be, with more action, more character, less wordiness, and more of a sense of wonder. Definitely recommended if any of these elements appeal to you, and I hope the series only gets better from here.

Star Trek: Voyager

As long as I signed up for CBS All Access to watch Star Trek: Picard, something made me decide to watch Star Trek: Voyager. Longtime readers may recall that I was not a fan of The Next Generation, and I only made it through a season and a half of Deep Space Nine before I hit the eject button, as by that time Babylon 5 had sucked all the air out of the room for television science fiction. (It’s still the best SF series I’ve ever seen.) So I had little interest in Voyager when it debuted in 1995.

I think what made me decide to watch it this time was hearing that it had a bunch of time travel episodes, and I’m a sucker for a good time travel episode. Once I decided to watch that many episodes, I figured I’d draw up a list of the supposed best episodes and go through those. I didn’t really have the interest or patience to watch the whole thing, and while I assumed I’d miss out on some nuance of character development over the full 7 seasons, I also figured – based on the other “NuTrek” series between 1987 and 2005 – that characterization would not be the series’ strong suit. If the episodes I came up with ended up being surprisingly great, then I could branch out to some second-tier episodes.

We powered through the 48 episodes on my list (plus one we watched by accident) throughout June and July, and the verdict is: It was okay. Not great. Most episodes were watchable, none were great, none were outright awful. Definitely some disappointments, though. But I doubt I’ll watch any more than this. (It’s over a quarter of the series, which seems sufficient.)

Anyway, spoilers for a 20-year-old TV show in case you care about such things.

Here are the ones we watched, with my grades (on an A-F scale):

Caretaker (season 1 episodes 1-2) C+
Parallax (S1 E3) C
Time and Again (S1 E4) C-
Eye of the Needle (S1 E7) B
Non Sequitur (S2 E5) D+
Deadlock (S2 E21) B-
Flashback (S3 E2) C
Futureâ€™s End (S3 E8-9) D
Unity (S3 E17) C+
Before and After (S3 E21) B+
Worst Case Scenario (S3 E25) D
Scorpion (S3 E26, S4 E1) B
The Gift (S4 E2) C
Year of Hell (S4 E8-9) D
Message in a Bottle (S4 E14) B-
Hunters (S4 E15) C
Prey (S4 E16) C+
Living Witness (S4 E23) B
Demon (S4 E24) C-
One (S4 E25) C
Hope and Fear (S4, E26) C
Drone (S5 E2) B-
In The Flesh (S5 E4) C
Timeless (S5 E6) C
Dark Frontier (S5 E15-16) B
Course: Oblivion (S5 E18) D+
The Fight (S5 E19) D (this is the one we watched by accident)
Relativity (S5 E23) C+
Equinox (S5 E26, S6 E1) C+
Survival Instinct (S6 E2) B
The Voyager Conspiracy (S6 E9) B-
Pathfinder (S6 E10) C-
Blink of an Eye (S6 E12) B-
Memorial (S6 E14) B-
Collective (S6 E16) C
Unimatrix Zero (S6 E26, S7 E1) C+
Repression (S7 E4) C
Shattered (S7 E11) B+
The Void (S7 E15) B-
Homestead (S7 E23) C-
Endgame (S7 E25-26) B

I also erratically live tweeted watching these episodes, and if you care you can read my at-the-moment reactions in this thread.

For those unfamiliar with Voyager, the premise is that the USS Voyager is captured and taken to the Delta Quadrant by an alien called the Caretaker, along with a ship of insurgents from a group called the Maquis. The ships end up stranded there, with casualties on both, and integrate into a single crew on the Voyager, captained by Katherine Janeway (Kate Mulgrew), who makes the Maquis captain Chakotay (Robert Beltran) her first officer. 75,000 light years away from the Federation, it will take them 75 years to get home, through entirely unknown territory.

“Caretaker” appeared on several best-of-the-series lists, and while it wasn’t a bad episode, I figured if it ended up among the ten best of the series then I was going to be glad I didn’t watch the whole series. Having not watched deep (heh) enough into Deep Space Nine I didn’t have any knowledge of the Maquis, but I could take them on principle. So the first half of the episode was mostly based around Tom Paris (Maquis) and Harry Kim (Starfleet ensign), which was enjoyable enough, but once the Doctor showed up, he overshadowed everyone else as a character.

I didn’t have many episodes in the first 3 seasons in my list, and what I did have wasn’t great. Despite being a bit padded, “Eye of the Needle” was the best episode of the first 2 seasons, with a nifty kicker which I wondered whether it would become relevant near the series’ end (it didn’t). “Before and After” was a touching episode which foreshadowed some future events, but unfortunately those didn’t really play out very satisfyingly either. The other time travel episodes were pretty mediocre. “Future’s End” was sort of the centerpiece of these three seasons, I guess, but it was basically another dumb “go back to the 20th century” yarn.

Maybe the best episode of the whole series was “Scorpion”, which introduced Seven of Nine. It was a solid adventure, gripping at times, with a fairly smart interaction between Voyager and the Borg. Species 8472 is (briefly) a breath of fresh air in introducing aliens which look and feel alien compared to the typical Star Trek fare, and it’s just about the only episode of the series which has a genuine “yeah!” moment when Janeway tells Chakotay to execute “scorpion”.

It’s not exactly all downhill from here, but it’s a bumpy ride from here. The biggest change is that Seven of Nine sucks most of the oxygen from the room as far as characterization goes, as she far overshadows almost everyone else in interest and development. Tom Paris had been nominally the point-of-view character (certainly he seemed to be the one with the best mix of practicality and moral compass), but he gets smothered by Seven. I guess there’s a subplot which leads to him and B’Elanna Torres getting married, but Torres was not a very interesting character to me.

The biggest disappointment of the series was “Year of Hell”, touted as the best episode of the show in at least one list, and teased in “Before and After”. It was basically a big waste of time, the dumbest of time travel stories (everything gets reset at the end), with lots of questionable decisions by Janeway and others. I guess it was trying to ramp up the tension and the stakes, but it was all so artificial and manipulative it was hard to take it seriously. And of course it didn’t track with “Before and After” at all.

“Living Witness” was a nice little surprise in the middle of a bunch of otherwise unremarkable episodes, feature the Doctor being revived 700 years later to help set straight what happened when the Voyager encountered a particular planet on their journey. While not an entirely original premise, it was one of the best executed of its type. I certainly enjoyed it more than the maudlin NextGen episode “The Inner Light”.

The biggest disappointment of Voyager was without a doubt the portrayal of Captain Janeway. While I guess they were aiming to show her as less perfect than Kirk or Picard, in a different way from Sisko, she was written very erratically, often headstrong and stubborn and honestly something of a tin dictator at times. “Year of Hell” had some of this, but the peak of Janeway stupidity was “Equinox”, in which the Voyager encountered another Federation ship, the Equinox, which had also been pulled to the Delta Quadrant by the Caretaker and had been trying to get home despite being a short-term research vessel. That ship ended up making some morally reprehensible choices to try to get home, which by the end of the first half left the Voyager in a bad spot. But in the second half Janeway goes around the bend, engaging in her own morally disgusting actions, and everything comes to an end when the Equinox captain has a change of heart for no apparent reason. A great set-up wasted by lousy writing in the second half.

(Several Equinox crew end up joining the Voyager, and I assume are never mentioned again – they weren’t in any of the episodes I watched.)

Though if she was frustrating as a Captain, her interactions with Seven and Chakotay were her high points. I suspect I missed the full nuance of her mentoring Seven to become a functioning human being, but even the glimpses I got were engaging. Jeri Ryan’s portrayal of Seven as imperious and haughty felt a bit off in her debut as a full Borg, but seemed more and more spot-on as Seven’s personality developed. Seven got many excellent moments, disagreeing with Janeway, confronting other Borg, interacting with one of the few children on the ship. She was surely the high point of the season.

Then, Chakotay ended up filling Tom Paris’ role from the first 3 seasons, as the ship’s even keel and moral compass. One of the final season episodes, “Shattered”, was a clever way of revisiting a number of key moments from the series without doing a clip show, but it was Chakotay as the featured character who held it all together, recruiting and convincing a much younger Janeway to help.

One interesting dynamic was Janeway and Chakotay meeting privately, since they were effectively the only people on the ship who were truly equals. They could air their differences, and argue all they wanted, as long as it was behind closed doors where their reports couldn’t see. This was one of those bits where the show almost seemed to understand what it had – a chance to show the power dynamics among Starfleet personnel, especially in a high-stake scenario – but it mostly treated it as an opportunity for NuTrek’s patented irrelevant character moments, showing things the character liked or remembered or experienced without really giving us a reason to care about it.

What about the rest of the cast? Well, in true NuTrek fashion there were just too many characters for all of them to be treated as major characters. The aliens Neelix and Kes were both somewhere between “just there” and outright annoying (though Kes at least got a good story in “Before and After”). Most of the rest just never really grabbed me, either. Torres was the typical “grumpy former rebel”. Paris also kind of filled that role, but with a vaguely self-destructive, sarcastic attitude, but I wish they’d played up a lot more. Ensign Harry Kim seemed like a cousin to Geordi LaForge, especially in that both of them were a little too earnest and a little too underdeveloped. The real missed opportunity was Tuvok, in whom Tim Russ turned in a pretty good Vulcan performance in the style of Leonard Nimoy, but the character himself was quite generic, and could have just been “Vulcan Science Officer #1”.

The only other character that worked for me was the Doctor, as Robert Picardo immediately brought humanity and humor to the role of the ship’s artificially intelligent medical officer. He got several good stories to play off of characters other than the main cast, including off of himself in “Equinox”. He was also the best part of “Blink of an Eye”, which was a fairly routine “this planet is in a faster time frame than our heroes” story elevated primarily by his performance.

Watching Voyager in 2020, it seems like a series of missed opportunities for story and character development: The ship just flits from place to place with no continuity. When the Equinox showed up I wondered just how they were able to make it through the obstacles Voyager had just barely cleared with far fewer resources. Sometimes they’re badly outclassed by the Borg, other times they’re willing to face them directly. The characters change in very small increments, but mostly there’s no character development here. All of this was par for the course for The Next Generation, making Voyager a natural successor to it, but it’s also very much an 80s/90s series with storytelling that seems shallow by today’s standards. It shows just how far ahead of its time Babylon 5 was compared to Star Trek.

The series finale, “Endgame”, is one of the very few episodes I’d seen before. When I did, I was glad I didn’t sit through 7 years of stories just for that. Watching it again, it works to the extent it does largely because of Kate Mulgrew’s performance as Admiral Janeway, who is driven to save her old crew but is also convinced by her old self to try something different. The story ends very abruptly, with no denouement, no winding down of the characters after they make it back to Earth, despite the backstories they’d all built up. It was pretty disappointing, and other than a brief appearance by Janeway in a NextGen film, and Seven appearing in Picard, I don’t think we learn anything about what happened to the others. (I imagine other media covered this, but I don’t care about anything other than what’s shown in TV and movies.)

So am I glad I watched it? Glad enough, I suppose. It wasn’t bad, but it always felt like the really good stuff was right around the corner… right up until the end, when it still felt that way.

Star Trek: Discovery: Seasons 1 & 2

If Picard represented a brave new world of solid storytelling for Star Trek after more than 35 years, Discovery is, well, the same old thing, lightly refurbished to meet modern dramatic television sensibilities. Since I subscribed to CBS All Access to watch Picard, I decided to give Discovery another try, despite the first episode having been so bad that I mocked it live on Twitter.

Overall the show is, well, better than that first episode, but not very good. The first season is very hard going, partly focused around a war with the Klingons, but also spending several episodes in a strange digression. The second season is more coherent and generally improved, but still kind of disappointing. The general feel of the series is one of flamboyant and nonsensical plotting, without much of a message. The characters are generally pretty flat. Overall it feels very much of a piece with NextGen and the later series, albeit with a rougher edge, but that’s not really a good thing.

Lots more – with spoilers – after the cut:

Doctor Who, Season Twelve

Jodie Whittaker’s second season as the Doctor was an incremental improvement over her first, and while it introduced a big mystery into the Time Lord’s existence, the show seemed reluctant to go all in on that to craft a full story out of it, opting instead to have pieces at the beginning, middle, and end, and otherwise make the season another set of standalone episodes. Much like last season, the stories were enjoyable enough but kind of nondescript and thus forgettable.

And as for that big mystery, well, some of it was carried off quite well, and some of it was not so great. I enjoyed it overall, but it really should have been a lot more than it was, and ultimately while it sets up some interesting stuff for future seasons, if the series continues in this vein I think it’s going to feel more like an afterthought, possibly one thrown away by the next showrunner.

Anyway, if the last five seasons of Doctor Who are the kind of thing you like, then you probably liked this one too.

Spoilers after the cut:

Star Trek: Picard: Emotional Resonance

“Et in Arcadia Ego” part 2 brought the first season of Picard to a close, and overall I’m quite happy with how it turned out. I think the final episode was a little overstuffed so that not everything was as smooth as I’d hoped. In some cases I think they should have restructured the last three episodes a bit to have some threads get resolved earlier, and in others I think they made some poor storytelling decisions. But the most important thing is that I think they got the emotional resonance of the story right, as there was a lot to cheer about.

For convenience here are links to my earlier reviews of the season:

Remembrance (episode 1)
The End is the Beginning (episodes 2 & 3)
Absolute Candor (episodes 4 & 5)
The Impossible Box (episodes 6, 7 & 8)
Et in Arcadia Ego (episode 9)

Now, on to the spoilers!