Tag: Space: 1999

Space Relics

I recent finished reading John Scalzi‘s recent novel, The Consuming Fire, the second in his Interdependency trilogy. It’s quite good, and I agree with some comments I’ve read that although it starts slow, it ends up being a more satisfying read than the first volume. But what won me over fully to it is not the satisfying ending (which is about as satisfying an ending as the second book in a trilogy can have), but the bits in the middle.

(Spoilers for The Consuming Fire, as well as some other stories discussed below!)

The Interdependency in the series is a collection of worlds connected by wormholes, except that after millennia the wormholes start collapsing. Since most of the “worlds” are actually uninhabited – the population live on artificial satellites in orbit, and only one world is known to itself be habitable – this is a big problem, since the worlds can’t survive on their own. The fact of this collapse is a nascent scientific discovery which is not widely believed, but a major development in this book is that a wormhole which had collapsed centuries before has recently reopened for a limited period of time, and our heroes – in the form of the Emperox – send an expeditionary ship through to see what happened to the settlement there.

They break into the main satellite, which is predictably dead and dormant, and manage to reactivate some of the computer systems, whereupon they discover that they’re not the first ones to do so: The system had been reactivated several times since civilization collapsed, and our heroes figure out that not only is there a remnant of the centuries-dead civilization still hanging on, but that they had been visited from elsewhere during that time.

And I love this stuff. Stories about finding long-forgotten and long-dead remnants of past civilizations or even people whose stories ended tragically long before they were uncovered thrills me more than almost anything else in science fiction.

I was trying to think when my fascination with this sort of story started, and the earliest instance I can think of is the Space: 1999 episode “Dragon’s Domain”. Five years earlier, a probe to the recently-discovered tenth planet of the solar system ended in tragedy when it discovered a graveyard of alien ships. On docking with one of them, three of the four crew members are killed by a mysterious creature, and the fourth barely escapes and makes it back to Earth. In the present, he senses that the creature is nearby, and the Alphans find the same graveyard, many light years from Earth, and have a final showdown with the creature. As with most things in the series, the story doesn’t make much sense, but when I was six years old when it first aired in 1975, it made an indelible impression on me, enough that when I had the opportunity to buy a few episodes in the 90s, it was one of the two that I bought. (Yes, I was disappointed when I watched it.) It’s not even very satisfying in exploring the ships they find – we never get to see inside any of them – but somehow it was just enough to stimulate some part of my brain.

Somehow many Space: 1999 episodes are available in their entirety on YouTube, and I watched it before writing this post:

(I could write at some length about Space: 1999, basically that I think there is some good stuff in there that could have been used as the springboard for an actually good series, but it’s buried under so much nonsense and terrible writing that any good series would have been substantially different from what actually aired. But I digress.)

Another episode which tickled a similar part of my brain was “Another Time, Another Place”, in which the Alphans meet their doppelgängers from another universe who had recolonized the Earth, with mixed results. I haven’t re-watched that one, but I recall the exploration of the doppelgänger Alpha was pretty powerful. Again, to my six-year-old self.

Star Trek also had a little of this, though the memorable episodes involved finding derelict starships. “Space Seed”, “The Tholian Web”, and my all-time favorite episode, “The Doomsday Machine”, all feature these small-scale discoveries and piecing together what happened, although the main thrust of each episode heads in a somewhat different direction; the space relics are primarily part of the episodes’ color. The Star Trek: The Next Generation episode actually entitled “Relics” features an ancient Dyson sphere, but it’s really about Scotty coming to the 24th century. And the Star Trek: Enterprise story “In a Mirror, Darkly” is a sequel to “The Tholian Web”, but it’s really a love letter to original series fans.

The movie Alien starts off with the characters exploring a derelict alien hulk, and although the film is overall excellent (and I am not a fan of horror films generally), plumbing the depths of the hulk is not the point of the film.

So with all of these TV shows and movies teasing me with glimpses of old relics that don’t really get explored, what really got me hooked on this stuff? Well, it was a book titled Spacewreck: Ghostships and Derelicts of Space which was part of a series of art books from the late 70s about the fictional Terran Trade Authority. Set over the next thousand years or so, the book is a collection of short stories with corresponding illustration (I inferred that the illustration was done first and the story written to more-or-less match it, but I really have no idea) about spaceships which had been lost and later found abandoned, or maybe just found without anyone knowing where they came from (e.g., alien ships). Mary Celeste-type stuff. It was not great literature, but I read through it several times as a teenager, fascinated by the stories with their sometimes-oblique tragedies of years long past, buried more by obscurity than by intent.

I think that’s part of what appeals to me about such stories: Unlike typical mysteries, in which there’s a perpetrator who is deliberately trying to conceal the truth, in these stories the truth has been lost due to the ravages of time, or due to something simply dropping out of sight, or becoming inaccessible. There may have been some corresponding or causal tragedy to the mystery – that’s sometimes where the story comes from – but I find the peeling back of the layers, and the revelation of what happened to the long-dead people to be the part of the tale that grabs my imagination.

And that brings me to what, to my knowledge, is the preeminent example of this sort of story: Jack McDevitt‘s Alex Benedict series.

Alex Benedict is an antiquities dealer who inherited money from his anthropologist uncle after he was lost in space, and set up his own business. In the first book, A Talent For War (1989) – which is one of my favorite novels – he investigates the disappearance of a crew of heroes who helped end the war against the only known alien species in the galaxy. As a group of legendary officers, the crew lightly evokes the crew of the original Star Trek, but all of them are two centuries dead. The story has some good twists and turns, and a solid ending. It was probably the most satisfying story of its sort I’d read up to this point – it might still be at the top.

To my delight, McDevitt turned this novel into a series, with 9 millennia of backstory for his characters to explore:

  • Polaris (2004): An auction of relics from a ship whose crew disappeared under impossible circumstances unfolds the mystery of what really happened to them.
  • Seeker (2005): A lone cup unlocks the mystery to the location of one of the earliest colony ships from Earth, nearly 9,000 years earlier. This one won the Nebula Award for Best Novel.
  • The Devil’s Eye (2008): A mind-wiped friend of Alex’s is the clue to a government cover-up and a lost colony. The series’ nadir in my opinion.
  • Echo (2010): A deceased scientist known for searching for other intelligent life beyond humans and the one other species we’ve encountered found something. But if he found aliens, why did he bury the news?
  • Firebird (2011): Another deceased scientist who was known for researching parallel universes also found something. What he found is very different from the story in Echo, and is perhaps the most arresting storyline of the series, and very much on-theme for this article – but I won’t reveal it here because I definitely recommend reading it yourself. It’s concluded in the next novel…
  • Coming Home (2014): In addition to the continued story from Firebird, Alex is presented with a relic from the earliest days of humanity’s space age, and he heads to Earth in search of its origin.

Coming Home seemed like a perfect ending to the series, and it was hard to see how McDevitt would top it, but apparently there will be a new volume, Octavia Gone, published next year.

Despite my fondness for the series, I do caution readers to temper their expectations: McDevitt is clearly influenced by the SF Golden Age grandmasters such as Asimov and Clarke, which means his writing can be a bit dry. He also has a decidedly clumsy approach to writing women, which is doubly unfortunate since after Talent – narrated by Alex – the remaining books are narrated by his assistant and pilot, Chase Kolpath. Chase is a pretty capable figure, but there are many cringeworthy turns of phrase involving her gender. So I’d expect some people would find the writing would cancel out the good qualities of the story, but if you can get past its limitations perhaps you’ll enjoy it. Unfortunately in such a limited niche, it’s nearly impossible to have it all.

By the way, an earlier McDevitt novel, Ancient Shores (1996), has some moments that resonated for me in this way – humanity discovers an abandoned network of portals to other worlds – although the main thrust of the story lies elsewhere. I suggest skipping the disappointing sequel, Thunderbird (2015), however.

I’m sure there are other stories I’m forgetting about, but those are the major ones. I wish more writers would play in this space (though I’m not so willing to sit through dozens of episodes of bad television for the occasional story of this sort), but I take what I can get.

Are there any notable stories in this vein that I should check out?

Update:

A friend’s comment on Facebook reminded me that I wanted to mention a couple of similar tropes which I see as different from the trope that interests me here:

First are Big Dumb Objects, unfathomable artifacts from ancient civilizations. Stories around these tend to fall into two camps: Either people trying to figure out what they’re used for and eventually reactivating them (usually to disappointing effect, since the payoff is rarely satisfying after the build-up), or as something which trigger the story but isn’t central to how it plays out (for example in Alastair Reynolds’ novella Diamond Dogs). While I can enjoy these stories, they different from the trope I’m discussing here because they’re fundamentally more impersonal; there’s little speculation in or resolution of what happened to the specific characters who left behind the BDO, it’s just a driver for the main characters’ story.

Second are ancient and dead civilizations, which again tend to be impersonal, the discovery of vast swaths of culture and/or technology rather than the story of a specific relic left behind. Star Trek worked this territory a lot, usually encountering the degenerate remnants of such civilizations, though occasionally they found completely dead ones, such as in “Contagion”. “The Inner Light” is a more personal take on a dead civilization, although it contains more of what I enjoy, but it subverts it by throwing Picard into the middle of events (and is shamelessly manipulative and maudlin to boot).

Space: 1999

I’m frightened to report that I popped an episode of Space: 1999 tonight into the VCR, specifically, “Dragon’s Domain”.

Space: 1999 was a childhood favorite of mine, and I still had fond memories of it in young adulthood – but at that point memories are all they were, since I hadn’t seen an episode in years at that point. In the 90s I found a couple of videotapes of episodes at an SF convention and plonked down some ridiculous price to pick them up.

They’re, you know, not very good.

The acting could be best described as “wooden”. Martin Landau shows less range than William Shatner at his most Shatnerian, Barbara Bain seems vaguely similar to Eva Marie Saint in North by Northwest, and Barry Morse seems like a slightly drugged Isaac Asimov. Eeg.

The story involves a carniverous, hypnotic, disappearing space alien which lives in a sargasso of spaceships which somehow moved itself from the edge of Earth’s solar system to a location much further away. (Though remember that this is the series in which the mon is blasted out of Earth’s orbit at faster-than-light speeds, and yet which slows down to sublight speeds when it enters another solar system.) The creature is defeated through nonsensical means (with an axe).

And honestly this is pretty typical of an episode of the first season of the series. The second season turned from emphasizing the horror of outer space to becoming an action/adventure series, but it wasn’t really either an improvement or a decline; the whole series was just fatally flawed.

And yet, watching this episode tonight there are brief moments when I think, “This could have been cool.” The laser pistols are neat. The scenes with the Eagles flying above Moonbase Alpha evoke a certain feeling, that humans are surviving even in this barren environment with only a bleak hope. The notion that by this episode they’d been drifting in space for over two years. And of course the Eagles have that cool modular design. There’s also a throwaway moment when Commander Koenig (Landau) mentions that his predecessor on the base had left a bunch of junk in his office which Koenig was going through and salvaging, which made me think that of course any human habitat is going to build up junk as people fail to clean it out, but in these peoples’ circumstances that trash could be treasure indeed. The series is completely oblivious to the more profound implications of these little ideas, it’s just an adventure series. But still.

Sometimes I daydream what it would take to try to resurrect Space: 1999 as a serious science fiction series. It’s a mind game, since the series is so ludicrous by any serious SF standards, far more so than the original Battlestar Galactica was. You could have an experiment with an alien device go awry and drop the moon into the network of wormholes across the galaxy. Really play up the challenge of trying to keep 300-odd people alive on the moon using technology which we might actually achieve in a century or so, and how their mental state changes when living in isolation from the rest of humanity for years. Have some really alien aliens, not just guys with big hair and forehead bumps, or even just pull in the old chestnut of humans on Earth just being an offshoot of an older, starfaring species (which popped up in the original series, too). I’m not saying it would be a great series, but what would it take to try to make it a good one?

All very silly, I know. Space: 1999 will remain a bad TV series which has been mostly forgotten by almost everyone who ever watched it. But somehow there’s just enough there to make me think stuff like this, that maybe there’s something here that could have worked, in other hands, given a different treatment.

After all, something makes me pop that videotape in once in a while to watch an episode. That’s not something I ever feel moved to do with, say, The Six Million Dollar Man.