The Warmest Winter

Woo, a month and a half since my last post here! I’ve been slacking!

It’s been pretty quiet here, really. As you may have heard, this has been the warmest winter on record in the United States, and we’ve noticed this here in NorCal. Since Halloween the lowest overnight low in San Jose, CA was 37°F (Nov 25, Dec 10, Jan 8, Jan 12), and we’ve had a number of days with highs in the low 70s, which has resulted in me wearing shorts in February and March!

By contrast, let’s just pick 10 years ago, the 2013-14 winter. Most of December had lows under 40°F, with many mornings under 37° and an overall lowest-low of 27‡F on Dec 9. January had 2 weeks of warm highs around 70°, but lows still below 40°. Things warmed up in February and March.

The warming global climate has resulted in warmer temperatures overall, and extreme heat in some places, but it’s the unpredictable weather which is a bigger problem. From forest fires to drought to storms. On Feb 4 we had a big storm which knocked out our power for 15 hours, and for hundreds of thousands of people around the Bay Area as well. We’ve had big wind storms several times in the last few years, two of which have blown over sections of our fences. (Next time maybe I’ll spring for treated wood when we get the posts replaced.) Having 3 sections of fence go down with a dog who spends much of his time in the yard is a bit of an issue.

We did learn in the previous power outage that using our laptops to charge our phones makes power outages more bearable.

During the power outage, I was about a third of the way through Annalee Newitz’s novel The Terraformers (which is excellent, by the way) when I realized that it was missing about 30 pages between the end of part 1 and the beginning of part 2. Fortunately I had bought it from out local Books Inc., so I checked that they had power – which they did – and went down and exchanged it for a complete copy.

We’ve been lucky that we’ve been getting a fair bit of rain during this warm winter. Warm air does hold more water, so it’s probably up to the air currents and the jet stream whether we get doused or drought in any given year. I don’t think there have been many catastrophic incidents from the storms this year, although I think the coast has gotten socked a couple of times. But here in the valley it’s been just watering the plants, I think.

Meanwhile my sister drove up to Boston to visit our father for his birthday, and ended up heading home early ahead of a predicted huge storm – which ended up being a big nothing. From over a foot predicted to maybe a few inches. Not long after, storms took out a protective artificial sand dune on the north coast of Massachusetts. (I’d bet a fair bit of money that they went with a sand done and not something more durable because the coastal commission for the town wouldn’t let them do more due to the environmental impact.)

Anyway. No doubt things are just going to be a roller coaster ride from here on out. Has the polar vortex socked the Midwest and Texas yet this year, or is that on tap for next winter?

Amidst all this, I hit my 25 year anniversary both of living in California and of working at Apple. I can’t say it feels like yesterday that I started, but time does seem to be whizzing by lately.

Oh, and the San Francisco 49ers lost the Super Bowl. But we did watch the new BayFC women’s pro soccer team win their inaugural game on Saturday. (Mainly I think soccer broadcasting could do a lot more than it does to help viewers learn the names of and identify with the players. I think I know exactly 3 BayFC players after that game.)

So that’s the roundup from here. Heading into spring I have more house chores to take care of, in particular having someone come in to fix up issues with our lawn sprinkler system. (Yeah yeah, I could probably do it myself, but I don’t wanna.)

13 Days of Halloween

Aaron’s Mahnke’s Grim & Mild is either a true cottage industry or one of the biggest names in independent podcasting, depending on who you ask – maybe they’re both! I listen to a bunch of their shows, and have tried a few others; they’re not all for me, but some of them one.

One of their projects since 2020 has been 13 Days of Halloween, which starts each year on October 19 and releases an episode a day through Halloween. I started listening in 2021 and went back to listen to the 2020 series after last year’s. This year’s series was the most ambitious – and longest – yet.

The basic framework is that the main character is thrust into an unusual environment, often with a guide of some sort, and they listen to the spookystories of the people they encounter along the way. The first season, “Hawthorne Manor”, in which the listener is guided by a caretaker (played by Keegan-Michael Key) who is searching for something in the manor, is a pure distillation of this form, in which the ongoing narrative is little more than a simple framing sequence.

The second season, “The Sea”, is about a woman who wakes up on the beach of a mysterious town and is guided by another woman through the town in a journey of discovery. (The credits on the web site do a poor job of explaining who plays who, but the two main characters are played by Kathy Najimy and Bethany Anne Lind.)

The third season, “Devil’s Night”, concerns a boy, Max (Carter Rockwood), who gets lost on Halloween night in his rural town (it’s implied this takes place in the first half of the 20th century) and is aided by a mysterious figure (Clancy Brown) as he tries to get back home through the surreal landscape.

This season, “Penance”, is about Sayuri (Natalie Morales), a young woman who is abducted and locked up in the Pendleton Rehabilitation Center without being told why. She makes friends, adjusts to life in the combination prison/institution, and over the course of many months tries to figure out how to escape.

This season breaks with the strict format of the first three seasons: Some episodes have more than one story from other characters, some have none, and some Sayuri is directly involved in. She has both higher stakes personally, and more agency, than protagonists in the previous seasons. Her personality reminded me a lot of Mallory in Greater Boston, if Mallory were placed in a scenario where she had little control over her day-to-day life. The season does have more implied violence and gore than past seasons, as far as I can recall.

Overall it was a really successful season, though I imagine the ending might be a bit divisive. I’m still not sure how I feel about it, it almost feels like it it wasn’t quite finished, but for a spooky Halloween tale maybe that was the point. It did leave me a little confused about the title of the season, though, as it’s not clear to me who was doing penance for what.

I’m not sure how they’ll top this one next year. Though I hope this is about where the length of the episodes peak; this was a lot to keep up with on a daily basis. (I’m still playing catch-up with my other regular podcasts that release episodes over the past two weeks!)

Anyway, if you are looking for some creepy, haunting tales around this time of year, keep this one in mind in the future.

Star Trek: Strange New Worlds: Seasons 1 & 2

Star Trek: Strange New Worlds is a spin-off from Star Trek: Discovery, in the second season of which Captain Christopher Pike (Anson Mount) takes command of the Discovery after the Enterprise has been damaged, and it wraps up with the two ships and their crews teaming up to save the day. This series takes place about 7 years before the original Star Trek series and chronicles the adventures adventures of the Enterprise under Pike, who is living with the knowledge that he is destined to be crippled saving several crewmen a few years in the future.

The Enterprise bridge in Strange New Worlds

The elevator pitch for this series is basically, “If you want more of the original series, with better effects and updated for modern social sensibilities, then this is the show for you.” It’s not nearly as good at this – or as good overall – as the Star Trek: Year Five comic book, but it’s enjoyable.

Early on in watching this show I decided to embrace something someone suggested on Twitter: That each Star Trek series takes place in its own continuity, even though it pretends to maintain continuity with the other series. SNW has this quality in spades, with lots of nods to the original series, which don’t stand up to even casual examination. After enough continuity-jarring moments involving Spock or some other character or alien race who appeared in the original series exhibiting very different behavior or characteristics in SNW, it just becomes easier to treat the two shows as being in different continuities.

But once you get there the show is an enjoyable episodic sci-fi romp with a few excellent episodes and a few poor ones. The acting is stronger than usual for a Star Trek show. It still contains all the pseudoscientific nonsense one expects from Star Trek, there’s not much of an ongoing storyline, so it’s hard to get too invested or too disappointed.

Spoilery thoughts after the cut:

Continue reading “Star Trek: Strange New Worlds: Seasons 1 & 2”

What Next With COVID?

As I said last time, it seems like just about everyone has put COVID behind them in their behavior: Hardly anyone is masking or physically distancing anymore, and I don’t see many mentions of it other than on social media from the few people who are still taking those precautions.

I see close to zero reports these days of how many cases, hospitalizations or deaths there are from COVID. Since it’s been over 9 months since the last boosters were authorized, and previous evidence was that boosters lost most of their effectiveness after about 6 months, I was wondering what the numbers are.

Today the San Jose Mercury News published this article: New record lows for California COVID hospitalizations. Will it stick?

The number of patients with the virus at California hospitals reached a new low this month since the start of the pandemic, with just 611 reported on July 2.

Statewide, before this summer the previous low was 1,170 people hospitalized with COVID in June 2021. Now, totals have been less than that since early June.

In November 2021 I wrote a piece here titled “This is as Good as it’s Going to Get”. When I first drafted this post I thought it held up pretty well, and was maybe a bit optimistic. But based on the Mercury News article it’s looking a bit pessimistic, at least for the general population; the spectacular failures to support people such as the immunocompromised have been well documented.

I do find this a little surprising: The Omicron variant and its many sub-variants are the dominant strain of the virus, are massively transmissible, and haven’t gone away. But maybe they’ve been evolving to be less severe, and maybe the spotty vaccinations we’ve had have been good enough to gradually suppress the virus. I dunno.

Another thing I saw recently is this thread on Mastodon:

Mastodon post by Pavel A. Samsonov (1/2):

Techies perennially yearn for an org culture where their pure, intellectual work is cleanly separated from meetings and politics, where ideas win on their merit and "the work" is entirely solving technical problems.

Such an environment cannot exist, for 2 important reasons.
Mastodon post by Pavel A. Samsonov (2/2):

1 There can be no universal benchmark that defines "the best idea." When people get together to decide on the best thing to do - that's called politics. This goes for both solutions and problems. A brilliant solution to an irrelevant problem is bad.

2 The merit of a solution is 1% cleverness and 99% execution. Something that is out there and working suboptimally is "better" than an elegant idea that never got off the ground. Measuring on intellectual purity alone asks us to ignore actual impact

The first post is context, but the second post applies as much to our COVID response (as a society) as it does to the original topic:

People aren’t masking, they’re not physically distancing, and many people are not getting boosters and wouldn’t even if they were available. (And that’s just in the United States. I imagine it’s similar but more so in countries where those things are actively hard to do.) None of that is likely to change unless the current environment significantly changes. While encouraging people to do those things – especially getting vaccinated, which is a very low-intrusiveness part of the solution – is fine, any real solution is going to have to be implemented in the context of how people are behaving and are likely to behave. Because a solution which can’t be implemented is not a solution.

Personally, I’d like to see the FDA authorize twice-a-year boosters for everyone and encourage people to get them. And I’d like to see tests be made more widely available and covered by insurance so people don’t need to worry about access to them. (More info about how reliable they are would be nice, too. Last I heard tests were only about 60% accurate against Omicron.) I think those would be the most effective first steps, followed by covering wages for people who have to skip work because they get sick.

Alas even that seems like a stretch in the current political climate.

Some Favorite Current Audio Dramas

A few years ago I wrote about a number of audio drama podcasts I was listening to, as I’d just gotten into the medium as a vehicle for fiction. Today I listen to even more audio dramas than I did then – and I wanted to write about several I’m really enjoying. All of these are currently releasing episodes or will resume doing so soon, so this is a good time to jump in and catch up on any that sound appealing to you.

Badlands Cola

You’ll find that I enjoy a lot of weird mystery stories, and Badlands Cola might be the weirdest mysteriest of all of them (including its name!). Private detective Sunny is hired to go out to the Canadian badlands where cult leader Jasper Moon grew up. Moon was arrested just recently following the deaths of several of his followers. The town is known mainly for its dinosaur fossils, and its large dinosaur replicas around town. Sunny meets local radio host Strathcona (what a name! Apparently named for several places around Canada) who has some connection to Moon and his sister Melinda, as well as the closed paleontology center. Sunny pokes around trying to find out what Moon was up to, but there’s a lot more going on here than meets the eye.

Renee Taylor Klint’s show is built around Liz Morey’s performance as Sunny – who seems increasingly out of her depth as a not-so-hard-boiled but determined detective – and the ubiquitous Briggon Snow as Strathcona – a traumatized yet strong-willed man caught between his past and the present. The show has an atmosphere of bleakness, of Sunny being stuck out there on her own with only this one weird guy who doesn’t even like her to have her back. It’s nearing the end of its first season and looks like it’s building to something big and ominous, and the fact that it’s building to anything at all – as opposed to Sunny just getting the perpetual runaround from the locals – is only revealed a bit at a time.

Boston Harbor Horror

This is flat-out Lovecraftian horror based in and around New England. It focuses mainly on Coast Guard Petty Officer Alex Devereaux, who finds a mysterious artifact and gets caught up in the machinations of a cult. While he finds allies in Professor Matthew Alvarez and Special Agent Kerri Stone, Alex doesn’t quite make it through the first season unscathed – but he does make it through. In season two he investigates a particularly brutal murder, while season three (in progress) has been split between Agent Stone investigating strange events in Antarctica, and a group of sailors trying to rescue a drifting ship in the Atlantic.

Creator Mike Gagne voices Alex – one of three shows here where the creator also voices the lad character. I have very little insight into what goes into making audio dramas, but it’s pretty impressive that all three creators do fine jobs in both roles.

Fans of The White Vault ought to enjoy Boston Harbor Horror, though it’s more overtly horrific than TWV but it has some of that slow-burn feel at times. It steadily improves season-over-season, and I’m looking forward to the rest of this season playing out, although it’s been slowed down a bit because of Gagne’s work situation (internet at his current posting is not great). If cults and ancient artifacts crossed with the realistic (as far as I can tell, anyway!) modern maritime procedures are your jam, then this one is for you.

How I Died

Dr. Jon Spacer is a forensic pathologist with a unique talent: He can see and talk to the dead. This is pretty useful in his job – working for the police department of the town of Springfield – except that his boss, Sheriff Fran Crowley wants him to stick to examining the bodies and not solving cases, and of course no one knows what Jon can do. On top of this, the now-defunct Springfield Corp research lab experienced a weird event back in 1989 whose effects are still being felt – but only Jon perceives them. And on top of that there’s a serial killer.

Creator Vince Dajani voices Jon and does a lot to carry the show, as Jon is often caught between doing the right thing, keeping his secret, and investigating the deeper mysteries of the town. Shaina Waring is an effective counterweight as Crowley, who goes from finding Jon annoying, to suspicious, to… well, any more would be spoilers.

Now in its third season, How I Died reminds me of Babylon 5 in structure, in that each season has a significant change to the status quo (and a new arrangement of the theme music, too!). Overall it works really well as both a mystery and a character drama. I might quibble that sometimes Jon’s actions seem a little too reckless, and sometimes other characters are too conveniently willing to overlook his weird behavior, but it’s easier to just go with the flow of what the show is doing than try to poke holes. It has some things to say about death and being a good person. It can be a very intense show at times, and doesn’t shy away from some gruesome crime scenes, so be aware.

90 Degrees South

Part police procedural, part eccentric character drama, with dashes of weird fantasy mixed in, 90 Degrees South had me looking forward to it every week of its first season. After a scientist is murdered at Amundsen Research Station in Antarctica over the winter, U.S. Deputy Marshal Bass Marlowe is sent to investigate. Under immense political pressure, Marlowe finds allies and friends on the station to balance out the suspicion and wariness he inspires in others. He also finds a smattering of supernatural occurrences which might be relevant – or maybe not.

The show has a surprisingly small cast despite a large number of characters: Marlowe and most of the male roles are played by Trent Shumway, which I had no idea about until I saw the cast list on the show’s web site, because many of them are extremely different from one another. While the few – the two IT geeks and the janitor, for instance – are obviously played as very broad caricatures, others are straight dramatic figures. It’s an impressive set of performances.

90 Degrees South revels in its eccentric characters, even as Marlowe is engaged in a very serious and potentially deadly hunt. But there are also some very touching moments as characters learn or confess things about themselves. And then there are the moments of outright weird, starting with the man who claims to be a demon lawyer.

The first season brings its main story to a close, but also ends on a cliffhanger, and leaves several threads unresolved. I’m hoping that some of the smaller weirdnesses will be explored and/or explained and not just be transitory color. In any event I’m very much looking forward to season two.

Palimpsest

Palimpsest has two characteristics that I’m not usually into: It’s an anthology series – each season is a new story – and it’s a single-narrator fiction series – Hayley Heninger narrates Jamieson Ridenhour’s stories. But in fact it all comes together nicely: Full-season stories get into enough depth to satisfy me, and Heninger gets into each of the main roles convincingly, while adding some color when other characters speak up. The stories are all written as diaries or reminiscences of the main characters, which further sells the approach.

The show’s tag line is “embrace what haunts you”, and “haunt” is the right word: There’s some horror here, but the stories are more creepy and haunting, rich with atmosphere and setting. I think my favorite season is the third, about a woman who worked for the British code breakers during World War II, but all four are excellent. The show is currently running a set of single-episode vignettes between the fourth and fifth seasons.

Spectre

This one reminds me of Becky Chambers’ novel A Long Way to a Small, Angry Planet: Both are found-family stories that take place on starships with small but diverse crews. A key difference is that while the main character in the novel joins the ship voluntarily, in Spectre the lead character of Rho (voiced by creator Stef Howerton) has escaped from a facility and ended up on the ship because it was one she was able to get on. Fortunately, the Spectre is a crew of good people – even if they do take jobs as mercenaries, albeit ones trying to work for the right people.

Rho has also lost her memory and has no idea why she was in the facility, though it turns out she had been augmented with fantastic abilities – which might be great if she could just control them (just what you want when you’re on a tin can in space). Not that the crew of the Spectre doesn’t have secrets of its own, starting with its mysterious captain.

Nearing the end of its first season, Spectre has been focusing mainly on Rho, so the large cast of characters feel a bit thin, as does the backdrop. Hopefully these details will be filled out in future seasons.

Unwell

Lily Harper moves to the small town of Mount Absalom, Ohio to help take care of her mother Dot, who runs a historic boarding house, is recovering from an injury, and has the early stages of dementia. Which all sounds like a bummer of a show, except that Unwell actually has some of the liveliest and funniest dialogue of any audio drama, with off-the-wall characters and secrets and mysteries galore. Lily befriends the long-term lodgers in Fenwood House as well as some of the locals, and starts to peel back the curtains hiding what’s been going on in Mount Absalom for centuries.

Unwell feels to me like it takes place in perpetual autumn. It’s not horror per se, but is genuinely creepy at times, and the creepiness is sometimes played for comedic effect and sometimes not. You never really know what direction an element of the show is going to go in. All the characters have their flaws and their own motivations, making them all – even the more sinister ones – pretty complex.

The show just wrapped up its fourth season, and it sounds like the fifth will finish the story. Much like How I Died, it feels like Unwell has changed so much since the first few episodes, but in its case it’s been a gradual evolution, where characters end up in places that make perfect sense, and it’s only on reflection that you realize that a couple of seasons ago they wouldn’t have been in those places at all.

Within the Wires

My favorite audio drama from the Night Vale Presents network, Within the Wires features a different story each season in its alternate universe where things went in a very different direction in the early 20th century, where the First World War didn’t end until the Great Reckoning in the 1930s, resulting in the formation of the New Society, a global government with radically different approaches to families and raising children, and many apparently hallmarks of autocratic states.

But the series is told obliquely, through found footage audio relics dating from the 1950s to the 2000s, with a different narrator for each one. The first season started slowly – to be honest I didn’t warm to it at first, only going back to finish it when I got into the second season – as a series of relaxation tapes, which we eventually learn are being used in a center run by the New Society. The second season are a series of museum audio tapes from the 60s through 80s about an artist named Claudia Atieno. But I think the series really hits its stride in seasons 3 (dictaphone notes from a doctor involved in setting up the New Society in the 1950s), 4 (audiocassettes by a woman involved in resisting the family planning of the New Society in the 1990s), and 5 (a series of voice mails told backwards from 2008 to 1997 by an artist at the fringes of the New Society in England). The sixth season is about a young nurse who arrives to care for an elderly woman in rural Ireland in the 1970s and is a sort of ghost story, which I felt didn’t entirely deliver on the promise of the strange things it chronicled. Season 7 is coming out shortly, and there’s also a novel, You Feel It Just Below The Ribs, which is a quite good chronicle of the Great Reckoning and early days of the New Society by a woman with a unique insight into those events.

The series often feels claustrophobic and dark, its characters trapped by their circumstances even if they’re not physically confined. You’ll find a little bit of multiple genres as you progress through the series, and the nature of the New Society is gradually revealed. But as I said we see most of this only obliquely, as few of these people are involved in shaping or running the New Society, and some of them stand in opposition to it. You can take it as a commentary on how ordinary people try to live their lives within such a framework, or a commentary on our own society – or just take it for what it is, a series of stories about people. However you take it, it’s very good.

Bonus Recommendation: An Episode of Archive 81

Archive 81 was a horror podcast that ran for three seasons from 2o16 to 2019, and whose first season was adapted into a single season of television on Netflix. Each season was radically different from the previous one – and it goes steadily better, as well.

While not a “current” series like the ones above – although apparently they hope to produce another season sometime – I only caught up on it earlier this year, and I was blown away by one episode in the third season. The third season features a pair of half-siblings, Nick (Peter Musante) and Christine (Kristen DiMercurio), trying to complete a mystical ritual left to them by their late father. The season plays around with various tropes of the genre – for example, Nick is initially portrayed as weak and somewhat subservient, while Christine is outspoken and strong, but both have more depth than that.

In episode 28, “Exist in the Place You Are Currently Occupying”, Christine goes on a dream-quest to acquire an ingredient to complete the ritual, and ends up falling in with a crew on a sailing ship who help her pursue her quest. The episode shows Christine living an alternate life as an adventurer, as told in a series of smart, self-aware vignettes as she and the crew make their way across their world and become friends and trusted companions. It’s a tour-de-force piece of drama, and I think would stand well on its own even outside the context of the larger story. (It’s also an adventure story and not a horror one – which the rest of the season very much is, so be warned if you decide to listen beyond this episode.)

Wikis

Fandom.com hosts wikis for many different interests, including many audio dramas. The better ones can be useful for refreshing your memory of previous episodes, clarifying plot points, or connecting pieces that you might not have connected while listening to episodes across many weeks. Here are a few wikis for audio dramas above:

The End of an Essential Freedom

I’m not sure there’s much I can say about the overturning of Roe v Wade which hasn’t been said better – and many, many times – by other people in the last few days.

I’ve long felt that the right to abortion is a litmus test for a free society. The United States now fails that litmus test, and over a dozen states fail it with extreme prejudice. It’s a national tragedy.

Everyone tries to prognosticate where things are going in the future, but I think it’s clear that the Republican Party – who are quite simply the American Nazi Party at this point – are willing to do anything to bring about their state of white protestant Christian nationalism. Will they succeed? I don’t know, but I do know that they will do anything and everything they’re not prevented from doing.

(Remember when John Roberts was the swing vote on the court, supposedly concerned with its reputation and legitimacy? Yeah, with a 6-3 majority he’s shown his true colors. With its reputation in tatters, how much longer will it still be regarded as legitimate?)

I was especially enraged by this NPR interview with law professor Helen Alvare, in which she says:

[T]here will be efforts to ensure that, you know, corporations in particular, but also government and other institutions, value caregiving (laughter).

[…]

I can’t emphasize enough how much they would like pro-choice groups to step in instead of just focusing on providing abortion, to step in and provide assistance…

I say to Alvare: Fuck you, all of you forced birth fascists. This is all on you. Pro-choice groups – individuals, organizations, corporations, and governments – have a job to continue to provide access to safe abortions. You fascists own every single death, health condition, and child living in poverty as a result of your forced birther actions, and it’s on you to care for them. The caregiving is your job, because you made it necessary. Grow up and for once in your life take some personal responsibility for your actions.

(Spoiler: They won’t.)

We must resist fascists like Alvare. And anyone who believes people like her when they say the Supreme Court isn’t coming for gay marriage, contraceptives and interracial marriage in the next few years is deluding themselves.

Star Trek: Picard Season 2

The first season of Star Trek: Picard was maybe the best season of Star Trek ever. I adored it so much that I wrote six reviews covering its ten episodes! (If you’re interested, you can start here.) It wobbled a little bit on the landing, but overall it was character-rich, exciting, and thoughtful – all the things that The Next Generation muffed on a regular basis.

I was certainly disappointed to hear that Michael Chabon stepped away from being the showrunner of season 2, but was happy to give it a chance. Unfortunately my disappointment was warranted, as season 2 was a big step down from season 1.

Season 2 featured a lot of Trek fan service, which sometimes worked and sometimes didn’t. It set the early tone for the series as the first episode was packed with views into Picard’s life, his current role in Starfleet, what the other main characters were doing in and around Starfleet, the return of an old friend, and the return of the Borg. But things get turned on their ear when Q shows up and most of the principals from season 1 find themselves in an alternate timeline, and have to return to the 21st century to set things right.

The problem is that the writing was all over the place. As in season 1, each character has their own story arc, but they’re embedded in a tired framework (going back to “the present day” to fix history) with extremely awkward pacing (a lot of running around to set up later payoffs, but the running around gets tedious quickly). Finally, it absolutely does not stick the landing, although the final episode has a few nice bits.

Spoiler-rich commentary after the break:

Continue reading “Star Trek: Picard Season 2”

Fifty-Three

My birthday was Sunday, the middle day of a long weekend for me, as Apple gives us Martin Luther King Day off.

(Growing up in Massachusetts, we got MLK Day off every year starting – as far as I can find – in 1975. As a result I got my birthday off from school a few extra times. True to form I was completely oblivious about why we got it off. In hindsight it’s pretty spectacular that MA started observing it so early.)

We had a pretty quiet weekend, which frankly was fine with me. We had originally planned to go over to the coast on Saturday, but the volcanic eruption near Tonga triggered a tsunami warning across the west coast, and we decided to bail on that plan. For me, less due to worry about the tsunami – which wasn’t expected to present a danger unless you got too close to the water’s edge – as wanting to avoid idiots flooding (heh) the coast to see the tsunami.

We did watch a whole lot of football, seeing the Patriots and Raiders lose, but the 49ers improbably win against the Cowboys. My feeling about the 2021 Patriots is very similar to the 2021 Red Sox – rebuilding teams that surprisingly made the playoffs, and unsurprisingly lost in the early rounds. And Niners I are in the middle of a “still in contention, but kind of rebuilding too” phase, and I don’t expect them to beat the Packers this weekend.

We also went out to eat three nights in a row (Fri/Sat/Sun), which was nice. All outdoor dining – I think we’ve (still) eaten indoors exactly once since the start of the pandemic – but we hit a few of our favorite restaurants downtown. Sadly my traditional birthday restaurant has apparently suspended outdoor dining for the winter – perhaps a bit short-sighted as we’re in the middle of warm spell, with highs getting into the 60s most days in the last week, and likely to stay warm through the end of the month.

Debbi didn’t have Monday off, so I spent part of the day watching TV. I finished The Expanse, which as a series was okay. Started weak, got better, got exciting when they finally got out of the solar system, but ended with a fairly dull set of in-system politics and combat. (I’m not really into near-future in-system SF, so I was really hoping for a big ramping-up of the sense of wonder once the ring gate opened.) I thought most of the characters were pretty weak – especially nominal protagonist James Holden – so I wasn’t very invested in what happened to many of them. Overall, it was okay, but not something I’m likely to rewatch (unlike Babylon 5 and parts of Battlestar Galactica). I guess it only adapts the first six books, so there are three more they could do if someone else picks it up.

Anyway.

Three years in, my fifties feel like a blur. My face is getting those lines of middle age, with an annoying vertical one between my eyebrows. My knees are getting a little creaky, although they’ve been doing a good job lately where running is concerned. (A little weird to think that they’ve been holding up better through running than they did when I was biking regularly.) On the bright side, I still have all my hair, and most of it is still brown!

But time is starting to pass faster. The pandemic is obviously affecting all of this to a fairly large degree. I’m not a big traveler, but there are a few places I’d like to visit. I haven’t spent as much time with my friends lately as I’d like. It feels like everything is on hold, and is going to keep being on hold indefinitely.

Anyway, it was a good birthday, under the circumstances. I get a little less enthusiastic about my birthday each year, but I do look forward to the day that I can have people over to celebrate it again, someday.

The Great Filter

Earlier this year I participated in a thread on Facebook about where all the aliens are, since none seem to have contacted us – i.e., the Fermi paradox. Through this I learned about the Great Filter, a theory that we haven’t encountered aliens because a series of obstacles eventually prevents any species from being able to contact other planets before they die out.

Current events and (relatively) recent history have made me think that the Great Filter seems very plausible. Consider some of the threats to our species’ survival over the last hundred years:

  • Global thermonuclear war. We seem to have dodged this bullet (although, since the genie can never be put back in the bottle, there’s always some chance of this).
  • Resource Exhaustion. It’s unclear whether this will happen in a meaningful way, since it seems likely that we’ll transition to renewable energy before we use up all the fossil fuels, and it’s basically unknown whether we’ll use up any other key resources before we manage to get into space to get access to more.
  • Climate change. This is the current threat of great concern, and it is looking less and less likely that we’ll overcome it. It might not actually wipe humanity out – we could stop it and be forced to live farther from the equator for some centuries or millennia – but it could still result in a Great Pause in our species’ development.
  • Biological genocide. I.e., being wiped out through a virus or other biological agent, either that we developed, or which evolved naturally. There’s always a risk here, but my guess is that unless we engineer something ourselves it’s unlikely that this is the way we’ll go.
  • The Internet.

This last is the one that’s been on my mind lately, as we’ve watched a slide in many nations towards authoritarianism and fascism, combined with a growing populism rooted in conspiracy theories, disdain for science and education, and extremism. I think what’s been happening is that the advent of the Internet – and generally global, cheap mass and one-to-one communication – has amplified the voices who believe in those things, while taking advantage of an innate tendency to treat things that sound authoritative as being authoritative. Combining this with the human mind’s tendency to see patterns even where none exist, and I think this is pushing a significant and growing fraction of humanity down the authoritarian/fascist path.

Not that the pre-Internet days were perfect, of course (one large and obvious drawback being rampant gatekeeping by the dominant culture), but it seemed that the limits of communication before the Internet were a natural – if accidental – check on the ability of the more lunatic voices to spread and gain an audience. Again, not perfect, as plenty of lunatic ideas ended up being ingrained in human cultures (slavery, anyone?). And of course the Internet allows supports the spread of sane voices that were formerly on the fringe. But the results so far are not making it look like the Internet has been a good thing for humanity.

The Internet itself isn’t going to destroy humanity, but I think its effects make it more likely that something else will. For example, the crazy resistance to reasonable measures to combat COVID-19, including to simply being vaccinated. And even as we have mounting evidence of, and scientific consensus regarding, climate change, there is strong opposition to doing anything to fight it, including a large contingent who don’t believe it’s even happening. Moreover, authoritarian leadership – especially of the narcissistic, incompetent Donald Trump variety – could even revive the prospect of global thermonuclear war.

So my take on the Great Filter is that any time a civilization develops an Internet, it becomes a significant impediment to fighting threats to that civilization’s survival, making it much less likely that that civilization is able to solve the in-and-of-themselves huge obstacles to interstellar space flight. Granted, all of this is very human-centric, but there may well be characteristics of many (theoretical) sentient species which are susceptible to the Internet, even if they’re not the same characteristics that humanity has.

Even assuming developing interstellar civilization – or at least colonization – is possible, and even if there are (or have been) billions of technological civilizations in the galaxy, it doesn’t seem at all implausible to me that they’ve all killed themselves off before they got there.

And these days, it seems like we’re well on our way to doing the same.

(Postscript: If this sort of thing interests you, I recommend the audio drama Out of Place, the second season of which explores a dozen ways that humanity could go extinct. I think most of them are unlikely-to-implausible, but they arguably make for better drama than the ones above.)

Doctor Who: Flux

Doctor Who’s 13th season was one single 6-episode story titled “Flux”. I expect the three specials slated to air over the next year will be the last hurrah for show runner Chris Chibnall and star Jodie Whittaker as they turn the keys to the kingdom over to returning show runner Russell T. Davies and whomever he chooses as the fourteenth Doctor. Chiball’s run has been mediocre and pretty forgettable to date (see my previous season round-ups). Did Flux change that? Let’s find out what I think, with spoilers, after the cut:

Continue reading “Doctor Who: Flux”