A huge week this week, the most expensive I can recall in recent memory. (Okay, I bought some Magic cards, too, since my Worldwake booster boxes haven’t arrived yet.) Two hardcovers, two paperbacks, and a goodly set of books.
- Green Lantern #51, by Geoff Johns & Doug Mahnke (DC)
- Green Lantern Corps #45, by Peter J. Tomasi, Patrick Gleason, Rebecca Buchman, Keith Champagne & Tom Nguyen (DC)
- Power Girl #9, by Justin Gray, Jimmy Palmiotti & Amanda Conner (DC)
- The Starman Omnibus vol 4 HC, by James Robinson, Jerry Ordway, Tony Harris,Peter Krause, Mike Mignola, Gary Erskine, Matt Smith, Mike Mayhew, Gene Ha, Wade Von Grawbadger, Dick Giordano & others (DC)
- Fantastic Four: In Search of Galactus HC, by Marv Wolfman, Keith Pollard, John Buyne, Sal Buscema & Joe Sinnott (Marvel)
- Guardians of the Galaxy #23, by Dan Abnett, Andy Lanning, Wed Craig & Serge LaPointe (Marvel)
- The Incredible Hercules #141, by Greg Pak, Fred Van Lente & Rodney Buchemi (Marvel)
- Marvels: Eye of the Camera #6 of 6, by Kurt Busiek, Roger Stern & Jay Anacleto (Marvel)
- Incorruptible #3, by Mark Waid, Jean Diaz & Belardino Brabo (Boom)
- Star Trek: Romulans: Pawns of War TPB, by John Byrne (IDW)
- Invincible #70, by Robert Kirkman & Ryan Ottley (Image)
- Jack Staff: Rocky Realities vol 4 TPB, by Paul Grist (Image)
- Atomic Robo: Revenge of the Vampire Dimension #1 of 4, by Brian Clevinger & Scott Wegener (Red 5)
After a long delay, the final issue of Marvels: Eye of the Camera is out this week. My adoration of Kurt Busiek‘s writing knows few bounds, but this is not one of his best series. It follows the protagonist of the first series, Daily Bugle photographer Phil Sheldon, after he learns that he has cancer, and his life in the 1970s and 80s as he watches the Marvel universe develop around him. But rather than being an everyman’s chronicle of key points in the development of Marvel’s world, it’s a rather glum, somewhat sentimental portrayal of Phil coming to grips with the end of his life. And where the first Marvels spotlighted some of the truly great moments of early Marvel comics, few of the scenes depicted in Eye of the Camera measure up. This final issue shows a fight between the X-Men and… someone, a story I dimly remember as it was published around the time I decided X-Men had become unreadable and I dropped it, but compared to the Human Torch vs. the Sub-Mariner, or the Fantastic Four vs. Galactus, it’s an almost comically trivial encounter.
The best stuff in the series really does feature Sheldon, particular in this issue when the mutant Maggie, who as a girl hid out in the Sheldons’ baseman, returns to visit Phil on his deathbed, and they reminisce about that, and Phil puts a big chunk of his life into perspective.
But on the other hand, in a world in which characters survive and barely age for decades, it’s especially sad to see a likable, practically heroic, man like Phil die quietly like he does, and be buried in the ground like anyone else while superheroes fly overhead. As a writer himself (Phil is a writer as well as a photographer), and given his medical history over the last decade, I’m sure Busiek is putting some of his own thoughts and feelings down in this story. It’s not that it doesn’t work at all, but despite Phil’s attempts to put a brave face on his last moments and his legacy, it ends up feeling like too little, not rewarding enough for Phil or for us reading about him.
Jay Anacleto is no Alex Ross, and his figures and expressions often feel a little stiff, and too understated. And where Ross brought a surprising degree of verisimilitude to the superhero sequences he painted, Anacleto can’t duplicate the feat here.
Overall I was disappointed in Eye of the Camera, feeling that the sense of wonder that drove the first Marvels series to be mostly missing, and not really being compelled by the personal drama that was driving the story. I imagine people who read character drama-driven independent comics would get more out of the book than I did, but then people who read those comics are not very likely to pick up a Marvel title.
It’s time for another plug of the lovely Starman omnibus hardcovers that DC is publishing. The series was not entirely collected in paperback, and it’s neat to be able to read the whole thing, including a lot of ancillary material, in this oversized package.
The run is reaching the end of its heyday, as Tony Harris didn’t last a lot beyond this point (we’re up to issue #46 with this volume), and Peter Snejbjerg is a decent artist but he doesn’t have anywhere near the range or rendering awesomeness of Harris. This volume collects the crossover with The Power of SHAZAM, which was a lot of fun as an example of how a non-mainstream series can interact with a completely mainstream one, as well as the excellent Starman 80-Page Giant which featured a story with each Starman character up to that point, including the mysterious Starman of 1951. Plus they collect the Batman/Starman/Hellboy mini-series, which I’d completely forgotten about. Finally, they set things up for the next major story arc, in which Jack Knight goes into outer space to find his girlfriend’s missing brother.
I’d thought the omnibus series was intended to be 6 volumes, but with another 34 issues to go, I bet it’ll be 7 or 8 instead, especially if they include – for instance, the first arc of JSA, in which Jack Knight appeared in a supporting role (as James Robinson helped launch that series). Regardless, I’ll be very happy to have this whole set on my shelf.
Another excellent hardcover collection of a great Marvel Comics story from my childhood. Back in the early 1970s, after first Jack Kirby and then Stan Lee had left the Fantastic Four, the book really suffered creatively. In the late 70s, Marv Wolfman took over writing and editing the book and produced a memorable run full of action, adventure, and character drama – really, bringing it back to the roots that Lee and Kirby had brought up. This era is largely forgotten for two reasons: First, because John Byrne’s later run – actually only about a year and a half later – has been so acclaimed that it’s utterly eclipsed Wolfman’s run. Second, because Wolfman’s run was awkwardly aborted; I’m not sure why, but I suspect it had to do with personality clashes when Jim Shooter became editor-in-chief of Marvel (both Wolfman and longtime Marvel veteran Roy Thomas jumped to DC around that time). Wolfman had spent his two years on the title setting up some long-term plot threads, the most major of which was somewhat abruptly wrapped up after Wolfman left, and another of which – really just a moment of foreshadowing – was dealt with two years later by Byrne. It’s too bad, because I’d have liked to see Wolfman have the chance to build a legacy on the FF similar to that of Lee and Kirby. On the other hand, his departure not only opened the door for Byrne’s run (which is quite good), but also meant Wolfman could write The New Teen Titans, which is, frankly, even better.
This collection is a terrific outer-space odyssey in which Xandar – home of the Nova Corps – recruits the FF to help defend them against a Skrull armada. The FF are captured and sentenced to death – via a ray which will cause them to age to that point in just 3 days. Meanwhile, one of Xandar’s allies, the Sphinx, unlocks the power of his mystical gemstone and goes insane, displaying a cosmic level of power, and returning to Earth planning to reshape his homeworld. The FF are forced into a faustian bargain with Galactus to have the world-eater stop the Sphinx, after which all they have to do is find a way to stop Galactus and save themselves from the ravages of accelerated time.
Wolfman tells as good an adventure story as you’d have found in comics of the day, certainly the equal of what Chris Claremont and Byrne were doing on X-Men, and with art by Byrne, Keith Pollard, and longtime FF inker Joe Sinnott. If you’re a fan of any era of the FF, check this one out, because it’s really good. The current series by Jonathan Hickman and Dale Eaglesham doesn’t really compare, even though it’s not bad by any means.
John Byrne’s Romulans comics get collected this month. His Star Trek comics for IDW (other than Assignment: Earth) are in my mind the best Trek comics I’ve seen since Mike W. Barr and Tom Sutton’s run for DC: He’s got the classic Trek look down, and he’s playing around in the backwaters of the universe while still telling recognizably Trek stories.
This collection is an arc which comes out of the classic episode Balance of Terror (one chapter of the book tells that story from the point of view of the Romulan commander, memorably played by Mark Lenard), and involves the Klingon/Romulan alliance, heavily based around the Klingons trying to manipulate the Romulans to get around the Organian peace treaty. It’s a pretty good story overall, although it has a disappointing ending (the Organians show up and, well, that’s it for the conflict), and when most of the major characters are anti-heroes or villains, well, it’s hard to root for anyone. Still, good stuff. I hope Byrne has more Star Trek stories in the pipeline, because I’d read ’em.